{"title":"On Writing Fluid Histories of Modern Art with Jacques Rancière","authors":"Karolina Rybačiauskaitė","doi":"10.14712/24647055.2021.11","DOIUrl":null,"url":null,"abstract":"In this paper it is claimed that the conception of art regimes by Jacques Rancière may be a productive tool for coming across various binary oppositions used while thinking about modern art, such as modernism/social realism, official/non-official, political/apolitical, and let us write more fluid histories of modern art in the post-socialist and post-soviet countries.","PeriodicalId":158647,"journal":{"name":"AUC PHILOSOPHICA ET HISTORICA","volume":"37 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2021-08-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"AUC PHILOSOPHICA ET HISTORICA","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.14712/24647055.2021.11","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
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Abstract
In this paper it is claimed that the conception of art regimes by Jacques Rancière may be a productive tool for coming across various binary oppositions used while thinking about modern art, such as modernism/social realism, official/non-official, political/apolitical, and let us write more fluid histories of modern art in the post-socialist and post-soviet countries.
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