Study on the Aesthetic Crisis of Chinese Antique Fantasy Movies Since the New Century

Zhuo Li, Zongsheng Yue
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Abstract

Since the new century, Chinese antique fantasy movies have gradually risen and occupied a prominent position in the film market, relying on myths, legends, mythical stories, etc., taking overhead history or fictional space-time as narrative strategy, to show the strange feelings, wonderful view, and strange affairs in the super-real time and space. It greatly satisfied the curiosity of the audience. However, its simple, low, empty, and disordered narrative plot under its gorgeous coat has some shortcomings in the pursuit of modeling and digital special effects. It shows obvious cultural anxiety and value imbalance. If Chinese ancient fantasy films want to maintain their long-term vitality, they should constantly excavate Chinese elements and Chinese stories to create high quality film works.
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新世纪以来中国古玩奇幻电影的审美危机研究
进入新世纪以来,中国古玩奇幻电影逐渐崛起,并在电影市场上占据了突出的地位,它们依托神话、传说、神话故事等,以架空历史或虚构时空为叙事策略,表现超真实时空中的奇情、奇景、奇事。它极大地满足了观众的好奇心。然而华丽外衣下的简单、低矮、空洞、无序的叙事情节,在对造型和数字特效的追求上却存在着一些不足。它表现出明显的文化焦虑和价值失衡。中国古代奇幻电影要想保持长久的生命力,就必须不断挖掘中国元素和中国故事,创造出高质量的电影作品。
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