Traducir comedias de Lope al italiano De Las bizarrías de Belisa a L’audace Belisa

K. Vaiopoulos
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Abstract

Today, on Italian stages, the Spanish Golden Age theatre is almost unknown. To explain this absence, we must take into account both reasons related to Italian stage culture and linguistic reasons. First of all, it should be noted that this theatre is perceived as something far from our scenic customs, especially because it has been transmitted according to a very partial and topical vision. This is the reason why, when translating texts, it is necessary to deepen the knowledge of the starting context (Baroque Spanish culture, Lope de Vega, his comedies, other texts belonging to the same years and genre). Secondly, this absence is due to formal reasons, mostly the problem of verses.
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把洛普的喜剧翻译成意大利语,从《贝利萨的奇异》到《大胆的贝利萨》
如今,在意大利的舞台上,西班牙黄金时代的戏剧几乎无人知晓。为了解释这种缺失,我们必须考虑与意大利舞台文化和语言相关的原因。首先,应该指出的是,这个剧院被认为是与我们的风景习俗相去甚远的东西,特别是因为它是根据一个非常局部和局部的视角传播的。这就是为什么在翻译文本时,有必要加深对起始上下文的了解(巴洛克西班牙文化,洛佩·德·维加,他的喜剧,属于同一年份和流派的其他文本)。其次,这种缺席是由于形式原因,主要是诗句的问题。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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