The succession and change of Korean hip-hop expressed through

Tae-Ryong Kim
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Abstract

The purpose of this paper is to examine the aspects of desire and resistance inherent in Korean hip-hop. And to understand the current socio-cultural function and position of Korean hip-hop. For this purpose, was selected as a sample of Korean hip-hop. And all the songs released from season 3 to season 10 were analyzed. Through this, I tried to understand the desire and resistance inherent in today's Korean hip-hop. And compared with the past from the point of view of 'inheritance and change', and examined what it means. As a result, today's Korean hip-hop has the following socio-cultural meaning. First, underground hip-hop in Korea has been handed down as an ‘attitude’, claiming an independent identity and pursuing self-realization. Second, Korean hip-hop has changed from a means for public discourse to a means for personal discourse. Third, capitalism and materialism have shifted from the object of resistance to the object of pursuit. I hope that this thesis can contribute to the formation of a progressive discourse related to Korean hip-hop.
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韩国hip-hop的传承与变化通过
本文的目的是研究韩国嘻哈中固有的欲望和抵抗的各个方面。并了解当前韩国嘻哈的社会文化功能和地位。为此,被选为韩国hip-hop的样本。并对第三季至第十季发行的所有歌曲进行了分析。通过这个,我试图理解当今韩国hip-hop中固有的欲望和反抗。并从“继承与变化”的角度与过去进行比较,考察其含义。因此,今天的韩国hip-hop具有以下社会文化意义。首先,韩国的地下嘻哈作为一种“态度”流传下来,要求独立的身份,追求自我实现。第二,韩国hip-hop已经从公共话语的手段转变为个人话语的手段。第三,资本主义和唯物主义从反抗对象转向追求对象。希望本文能对形成与韩国嘻哈相关的进步话语有所贡献。
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