Ainu percussion instruments

N. A. Mamcheva
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Abstract

Ainu people are the indigenous inhabitants of Sakhalin, the Kuril Islands, and Hokkaido. This work aimed to study Russian and Japanese museum funds, analyze musical transcripts performed by the author, and review Russian and Japanese academic literature. The article deals with the percussion musical and sound instruments of the Ainu – idiophones and membranophones. The term “sound instrument” refers to archaic sound instruments that were not usually perceived as musical. They were considered as such only at the moment of their sounding. The author pays special attention to poorly studied instruments, such as a sonic log, sticks, a board, a lacquered barrel lid, rattles, bells, a shaman tambourine, and a beater. The article analyzes the etymology of the names of instruments, structure, material of manufacture, techniques of playing. Most of the Ainu tools were made of wood and had a simple design. Percussion instruments are multifunctional. On the one hand, they performed a musical function – they rhythmically organized a song or recitation. They sounded during the performance of epic legends, various songs. On the other hand, instruments were sacred objects. The author traces their close connection with the worldview, mythological ideas of the ancient people. All of them were associated with the ritual practice: they were used in shamanic rituals, bear holidays, magic actions. Their sounding was thought to provide communication with the spirit world.
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阿伊努打击乐器
阿伊努人是库页岛、千岛群岛和北海道的土著居民。这项工作旨在研究俄罗斯和日本的博物馆资金,分析作者演奏的音乐手稿,并审查俄罗斯和日本的学术文献。本文介绍了阿伊努族的打击乐乐器——土乐器和膜乐器。“声音乐器”一词指的是通常不被认为是音乐的古代声音乐器。它们只是在发出声音的那一刻才被认为是这样的。作者特别关注了研究较少的乐器,如音波原木、木棍、木板、漆桶盖、摇铃、铃铛、萨满手鼓和打鼓器。文章分析了乐器名称的词源、结构、制作材料、演奏技巧。大多数阿伊努人的工具都是木制的,设计简单。打击乐器是多功能的。一方面,他们执行音乐功能-他们有节奏地组织歌曲或朗诵。它们在表演史诗传奇、各种歌曲时响起。另一方面,乐器是神圣的物品。作者认为它们与古人的世界观、神话观念有着密切的联系。所有这些都与仪式实践有关:它们被用于萨满教仪式,熊的节日,魔法活动。他们的声音被认为是提供与精神世界的交流。
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