Choosing a Frame: How Medusa Tells the Story of Trauma and Life After Trauma

Ezra Yurman-Whyde
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Abstract

This paper names the elements of the Medusa myth that make it an uncanny allegory for trauma and examines the role of choice—both having choice and offering choice—in the treatment of trauma. It considers two perspectives on the myth: (1) Medusa as a captive object to the hero in the myth and (2) Medusa as an autobiographer, the narrator of her own story, and a subject working to establish more control over her own experience. This myth translates to the social work space. When a clinical social worker acts as the listener/observer and a patient as narrator/autobiographer, the social worker is uniquely positioned to support the patient in reclaiming life after trauma.
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选择一个框架:美杜莎如何讲述创伤和创伤后生活的故事
本文列举了美杜莎神话中使其成为创伤寓言的要素,并探讨了选择——拥有选择和提供选择——在创伤治疗中的作用。它从两个角度考虑了这个神话:(1)美杜莎是神话中英雄的俘虏对象;(2)美杜莎是一个自传作者,她自己的故事的叙述者,一个努力建立对自己经历的更多控制的主体。这个神话也适用于社会工作空间。当临床社工扮演倾听者/观察者的角色,而患者扮演叙述者/自传作者的角色时,社工就处于独特的位置,可以帮助患者在创伤后恢复生活。
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