VOZES DE OUTRO GOLPE

Abstract

: We dedicate ourselves in the present work in to reflect about the relationship established between Literature, in its narrative framework, and History. And we did it from the (Crabs Revolution in english) and Moacyr Scliar’s tale entitled “Mãe Judia, 1964” (2004) (Jewish Mother, 1964 in english). For this purpose, we approach the narrative not only from the narrator’s perspectives, but from the ways of narrating until the point in which the history is obliterated due to the reflective explanation of the characters about the narrated events - when the subjectivity becomes evident in relation to the story. Thus, we use Friedman (Leite, 1985) and his criteria to determine the effects caused by the narrator’s gradation of interference considering his appreciation and judgment, the presentation of facts considering others and the reflections that leads the narrated events from their gradual dispersion until the total disappearance, in the name of likelihood. Adorno (2003), Barthes (1997), Cosson (2007), Schneider (2014), Forster (1974) reported their considerations about the relation established between the fictional and the real, as well as definitions regarding Literature as a glow of the real. Conducted by these authors, we aim to develop a way of presenting literature, in the figure of Scliar’s tale, as a glow of the real and as an instrument to combat the forgetting, breaking its barriers and resulting in the production of new possibilities of meaning in the unrestrained silence from the repression thread in order to unveil the elbows and vertices of memory.