CYBORG ARTS IN THE PROJECTS OF TRANSHUMANIST BIOHACKERS

Yulia V. Khvastunova
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Abstract

Since the beginning of the 21st century, a new artistic direction has been formed in biohacking – “the cyborg art” (cyborgism), whose leaders (cyborg artist Moon Ribas and “transhuman” or “the first cyborg” Neil Harbisson), promote a transhumanist project of improvements or technological additions implanted directly into the human body. “The Cyborg Art” at the theoretical and practical levels implements the paradigm of the new art of man-machine. M. Ribas (a female seismographer) embodies transhumanist projects through art or spectacular events, positioning them as a deeper connection with nature. Her colleague, N. Harbisson, who has an implanted intracranial chip, implements several artistic and technical projects. The innovators say they will continue to “improve” their bodies with implants and gadgets. Both artists, through the Cyborg Foundation and its branch Cyborg Arts organization, are encouraging as many people as possible to become cyborgs, assuming that a new community will inevitably be formed in the near future, where two species will definitely coexist: humans and cyborgs.
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超人类主义生物黑客项目中的生化人艺术
自21世纪初以来,生物黑客中形成了一个新的艺术方向——“半机械人艺术”(cyborgism),其领导者(半机械人艺术家穆恩·里巴斯和“超人类”或“第一个半机械人”尼尔·哈比森)推动了一项超人类主义项目,即直接植入人体的改进或技术添加。“半机械人艺术”在理论和实践层面实现了人机新艺术的范式。Ribas(一位女性地震学家)通过艺术或壮观的事件体现了超人类主义的项目,将它们定位为与自然更深层次的联系。她的同事n·哈比森(N. Harbisson)植入了一个颅内芯片,实施了几个艺术和技术项目。创新者表示,他们将继续通过植入物和小工具“改善”自己的身体。这两位艺术家通过半机械人基金会及其分支机构半机械人艺术组织,鼓励尽可能多的人成为半机械人,假设在不久的将来,一个新的社区将不可避免地形成,两个物种肯定会共存:人类和半机械人。
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