Uchem krytyka. Idiom kompozytorski Pawła Szymańskiego w ujęciu Andrzeja Chłopeckiego

Magdalena Nowicka-Ciecierska
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Abstract

The article aims to present the compositional idiom of Paweł Szy-mański (b. 1954) as conceived by Andrzej Chłopecki (1950–2012), an outstanding Polish music critic and musicologist. His opinion-forming texts, written in a distinctive language, resonated widely in the Polish and international music community. The article has the character of a review, presenting quotations from Chłopecki’s texts regarded by the author as the most significant, confronted with self-reflections of the composer himself, as well as references to other researchers’ com-ments. The initial part of the article describes Chłopecki’s promotional activities in relation to Szymański’s work. As an active employee of the Polish Radio, Chłopecki was in a position to commission works, prepare programmes on the subject of the composer’s music, as well as organise a monographic festival presenting the majority of his works. The next section of the article recapitulates the first important text by this opinion-forming critic which discusses the works of Szymański, titled W poszukiwaniu utraconego ładu. „Pokolenie” Stalowej Woli [In search of lost order. The Stalowa Wola „generation”]. In it the critic emphasised the role of tonality and the Baroque as the arche-type always present in the composer’s music. The central part of the article discusses the main features of Szymański’s music, the subject of Chłopecki’s later texts; these included heterophony, bidirection-al composing, and the dialectic interplay between structure and its transformations. The last section of the article talks about the charge made by the critic against the composer, that of remaining within the same aesthetics, even though placing his compositions among the most significant and individual phenomena of postmodernist music.
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本文旨在介绍波兰杰出的音乐评论家和音乐学家安德雷伊Chłopecki(1950-2012)所构想的帕韦科夫Szy-mański(生于1954年)的作曲风格。他用独特的语言撰写的观点形成的文本在波兰和国际音乐界引起了广泛的共鸣。这篇文章具有评论的性质,引用了作者认为最有意义的Chłopecki文本,面对作曲家自己的自我反思,并参考了其他研究者的评论。本文的第一部分描述了Chłopecki与Szymański的工作相关的促销活动。作为波兰广播电台的一名积极雇员,Chłopecki可以委托工作,准备有关作曲家音乐主题的节目,以及组织一个展示他大部分作品的专题节日。文章的下一部分概括了这位形成意见的批评家讨论Szymański作品的第一篇重要文章,标题为W poszukiwaniu utraconego ładu。Pokolenie“Stalowej Woli”[寻找失去的秩序。史塔洛瓦沃拉语“一代”]。在这篇文章中,评论家强调了调性的作用,巴洛克风格是作曲家音乐中始终存在的原型。文章的中心部分论述了Szymański音乐的主要特点,即Chłopecki后期文本的主题;这些特点包括:杂音、双向作曲、结构与转换之间的辩证相互作用。文章的最后一部分讨论了评论家对作曲家的指控,即即使将他的作品置于后现代主义音乐中最重要和最独特的现象之中,他仍然保持着同样的美学。
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