Catatonic Futures and Post-Apocalyptic Capital

Tomás Vergara
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Abstract

What does late capitalism’s mode of temporality reveal about the logic linked to its mode of production? This article establishes a dialogue between theoretical works concerned with this question and Jeff Noon’s speculative fiction novel Falling out of Cars. By drawing on Marxist criticism in the works of Fredric Jameson and Gilles Deleuzeand Felix Guattari, it argues that Falling out of Cars develops a catatonic mode of temporality that critically challenges these authors’ diagnosis of schizophrenia as the cultural logic of late capitalism. Noon’s novel offers a dystopian version of the future in which catatonic subjects function as the norm for the system’s optimal operation. The catatonic temporality of the novel emerges as the logic underlying this transformation, namely, as the passive assimilation of the individual to the system’s economic rationale, which no longer needs human agency in order to operate. Falling out of Cars does not only deploy these narrative techniques on a purely aesthetic basis, but explicitly links them to the objective conditions of the world they aim to represent. In this sense, Noon’s novel suggests catatonia as the dominant logic leading to capitalism’s terminal stage in which individuals no longer possess agency to take control of their lives.
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紧张性未来和后启示录资本
晚期资本主义的暂时性模式揭示了与它的生产方式相关的逻辑是什么?本文在讨论这一问题的理论著作与杰夫·努恩的投机小说《从车里掉出来》之间建立了对话。通过借鉴弗雷德里克·詹姆森(frederic Jameson)、吉尔·德勒兹(Gilles deleuze)和菲利克斯·瓜塔利(Felix Guattari)作品中的马克思主义批评,该书认为,《从汽车上掉下来》发展了一种暂时性的紧张模式,对这些作者将精神分裂症诊断为晚期资本主义的文化逻辑提出了批判性挑战。努恩的小说提供了一个反乌托邦的未来版本,在这个版本中,精神紧张性的主体作为系统最佳运作的规范。小说的紧张性时间性作为这种转变背后的逻辑出现,也就是说,作为个人被动地同化于系统的经济原理,它不再需要人类的代理来运作。《摔出汽车》不仅在纯粹的美学基础上运用了这些叙事技巧,而且明确地将它们与它们所要表现的世界的客观条件联系起来。从这个意义上说,努恩的小说表明,紧张症是导致资本主义最终阶段的主要逻辑,在这个阶段,个人不再拥有控制自己生活的代理。
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