"Miedo" and "La esquina del mausoleo"

Rolando Arco
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Abstract

In "Miedo", the first of the two stories, a young engineer flees an imminent arrest during the Stalin purges in 1937 and assumes the identity of a stranger, which lands him in the Siberian taiga, in the unfamiliar role of a hunter. "La esquina del mausoleo" is a meditation on the visual nature of memory, exile and nostalgia "La esquina del mausoleo" is a meditation on the visual nature of memory, exile and nostalgia
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“恐惧”和“陵墓的角落”
在这两个故事的第一个故事《米多》中,1937年斯大林大清洗期间,一名年轻的工程师逃离了迫在眉睫的逮捕,并以陌生人的身份进入了西伯利亚针叶林,扮演了一个陌生的猎人角色。《La esquina del mausoleo》是对记忆、流放和怀旧的视觉本质的思考《La esquina del mausoleo》是对记忆、流放和怀旧的视觉本质的思考
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