Under the Tourist Gaze: Kathmandu in Popular Culture

Arvind Dahal
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Abstract

 This research explores the shifts and continuities of representing Kathmandu City in Western cinematic and musical creations since 1970s. My research concerns with the representations of Kathmandu in the popular culture intends to explore the imagination of Kathmandu as a touristic place and how they represent the city and produce images in the popular culture which expands far beyond the visual apprehension and enjoyment of a landscape. While doing so my research first explores the representations, practices and processes of identity formation and cultural negotiations that are brought about in the city by tourism and secondly, it analyses the content and the visual representations of the movies and songs relying primarily on the theoretical tools of Popular Culture and secondarily the image production of the landscape in terms of Tourist gaze.
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游客的目光下:流行文化中的加德满都
本研究探讨自20世纪70年代以来,加德满都在西方电影和音乐创作中表现的转变和连续性。我的研究关注的是加德满都在流行文化中的表现,旨在探索加德满都作为一个旅游胜地的想象,以及它们如何在流行文化中代表这座城市,并产生远远超出视觉理解和景观享受的图像。在此过程中,我的研究首先探讨了旅游在城市中带来的身份形成和文化谈判的表征、实践和过程,其次,主要依靠流行文化的理论工具分析电影和歌曲的内容和视觉表征,其次是游客凝视的景观图像生产。
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