{"title":"Lexicography and Modern Poetry","authors":"Matthew Sperling","doi":"10.2307/j.ctvx8b7h3.8","DOIUrl":null,"url":null,"abstract":"‘Lexicography and Modern Poetry’ provides an overview of the various uses that poets have made of dictionaries since the 1960s. Works by a number of poets from Britain and the United States are discussed, chiefly W. H. Auden, J. H. Prynne, and R. F. Langley, but also Charles Olson, Robert Hass, and Harryette Mullen, among others. Following its early acknowledgement of Michael Davidson’s recognition of the ‘lexical insert’, the essay draws a number of connections between Auden, Prynne, and Langley, before the final section collates a range of examples that illustrate a number of the ways in which poets have attempted to challenge the authority of the dictionary.","PeriodicalId":292869,"journal":{"name":"Poetry & the Dictionary","volume":"4 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2020-03-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Poetry & the Dictionary","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.2307/j.ctvx8b7h3.8","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
‘Lexicography and Modern Poetry’ provides an overview of the various uses that poets have made of dictionaries since the 1960s. Works by a number of poets from Britain and the United States are discussed, chiefly W. H. Auden, J. H. Prynne, and R. F. Langley, but also Charles Olson, Robert Hass, and Harryette Mullen, among others. Following its early acknowledgement of Michael Davidson’s recognition of the ‘lexical insert’, the essay draws a number of connections between Auden, Prynne, and Langley, before the final section collates a range of examples that illustrate a number of the ways in which poets have attempted to challenge the authority of the dictionary.