Lexicography and Modern Poetry

Matthew Sperling
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Abstract

‘Lexicography and Modern Poetry’ provides an overview of the various uses that poets have made of dictionaries since the 1960s. Works by a number of poets from Britain and the United States are discussed, chiefly W. H. Auden, J. H. Prynne, and R. F. Langley, but also Charles Olson, Robert Hass, and Harryette Mullen, among others. Following its early acknowledgement of Michael Davidson’s recognition of the ‘lexical insert’, the essay draws a number of connections between Auden, Prynne, and Langley, before the final section collates a range of examples that illustrate a number of the ways in which poets have attempted to challenge the authority of the dictionary.
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词典编纂与现代诗歌
“词典编纂与现代诗歌”概述了自20世纪60年代以来,诗人对词典的各种用法。讨论了来自英国和美国的一些诗人的作品,主要是w·h·奥登、j·h·普林和r·f·兰利,但也包括查尔斯·奥尔森、罗伯特·哈斯和哈里特·马伦等人。在早期承认迈克尔·戴维森对“词汇插入”的认可之后,这篇文章在奥登、普林和兰利之间建立了许多联系,最后一部分整理了一系列例子,说明了诗人试图挑战词典权威的一些方式。
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Etymology and Elegy: Paul Muldoon’s ‘Yarrow’ and ‘Cuthbert and the Otters’ Briefer Mentions and Lyrical Lexicons: Marianne Moore’s Responses to Dictionaries in The Dial and Observations Long Poems about Everything: Dictionary as Subject and Model for Poem, 1974–2016 ‘When I feel inclined to read poetry I take down my Dictionary’: Poets and Dictionaries, Dictionaries and Poets ‘All Things are Words of Some Strange Tongue’: Dictionary Definition Form in Contemporary American Poetry
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