The Symbolic Meaning of Marriage Taboo in Purbalingga and Banyumas Villages

Sugeng Priyadi
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Abstract

The marriage taboo in the rural community of Purbalingga and Banyumas illustrates the phenomenon of socio-cultural plurality which is based on socio-political legitimacy. The emergence of marriage taboos is caused by social conflicts as the manifestation of incest marriage, social rivalry, and legitimacy battle. In those conflicts, the communities of Onje, Banjaranyar, and Raden Kaligenteng are the troublemakers. In addition, the communities of Sambeng Kulon, Sambeng Wetan, Jompo Kulon, and Jompo Wetan can also be categorized as the troublemakers since they are involved in the internal conflict which made them separated into parts. Those marriage taboos indicate something that can be understood as the shift of cosmos into chaos. The chaotic situation, however, is more dominant because the shift has not resulted in a new cosmos so that it is always in the liminal or threshold position. The position can be explained clearly in terms of relative binary opposition featuring a third party which takes the liminal position.
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普巴林加村和巴尤马斯村婚姻禁忌的象征意义
Purbalingga和Banyumas农村社区的婚姻禁忌说明了基于社会政治合法性的社会文化多元化现象。婚姻禁忌的产生是由乱伦婚姻、社会竞争、合法性之争等社会矛盾引起的。在这些冲突中,Onje、Banjaranyar和Raden Kaligenteng社区是麻烦制造者。另外,因内部矛盾而分裂的三生库隆、三生维坦、中布库隆、中布维坦等社区也被归类为“闹事者”。这些婚姻禁忌表明了某种可以被理解为宇宙陷入混乱的东西。然而,混乱的情况更占主导地位,因为这种转变并没有导致一个新的宇宙,所以它总是处于阈值或门槛位置。这一立场可以用相对二元对立来解释,其特征是第三方采取了有限的立场。
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