Writing amidst the Scribbles: The Role and Place of Writing in Ancient Maya Graffiti

C. Helmke, J. Źrałka
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Abstract

The significantcorpus of ancient Maya graffiti (c. 200 BC-AD 950) attests to the widespreadpractice of secondarily altering architectural surfaces during the course oftheir use.  For the most part this corpusis highly figurative and includes a series of schematic elements that attest totheir production by the hands of a variety of agents. As one of the largestcorpora of graffiti from any early civilization, the figural representationsinclude a wide array of themes.  Somegraffiti feature complex, narrative scenes that document important moments ofritual life of the ancient Maya. Almost paradoxically, amid the intricate andhighly figurative scenes are hieroglyphic graffiti. What do these writtengraffiti record, and what is the degree of literacy that these attest to? Thisraises a series of interesting questions including whether written and figuralgraffiti were etched onto walls by the same individuals, or whether theserepresent different social segments each leaving their mark. From theseobservations follow a series of important ramifications as to authorship, theuse of the built environment as well as the motivations behind the graffitiitself.
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在涂鸦中书写:书写在古玛雅涂鸦中的角色和地位
大量的古玛雅涂鸦(公元前200年-公元950年)证明了在建筑使用过程中二次改变建筑表面的广泛做法。在大多数情况下,这个语料库是高度具象的,包括一系列的示意图元素,证明它们是由各种各样的代理人的手生产的。作为任何早期文明中最大的涂鸦语料库之一,这些人物代表包括广泛的主题。一些涂鸦以复杂的叙事场景为特征,记录了古玛雅人仪式生活的重要时刻。几乎自相矛盾的是,在这些错综复杂、高度具象的场景中,有象形文字的涂鸦。这些书写的涂鸦记录了什么?这些涂鸦所证明的文化程度如何?这引发了一系列有趣的问题,包括文字和图形涂鸦是否由同一个人蚀刻在墙上,或者这些涂鸦是否代表了不同的社会阶层,每个人都留下了自己的印记。从这些观察中,我们得出了一系列重要的结论,包括作者、建筑环境的使用以及涂鸦背后的动机。
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