{"title":"Early Shows and Sales of Islamic Antiques in Paris","authors":"M. Volait","doi":"10.1163/9789004449886_003","DOIUrl":null,"url":null,"abstract":"This is an open access chapter distributed under the terms of the CC BY-NC-ND 4.0 license. Early displays of Islamic arts and crafts in nineteenth-century Europe are commonly associated with a set of shows that were held between 1885 and 1910 in London (Exhibition of Arab and Persian Art, 1885), Paris (Les Arts musulmans, 1893 and 1903), Stockholm (F. R. Martins Sammlungen aus dem Orient within the General Art and Industry exhibition, 1897), Algiers (Exposition d’art musulman, 1905) and Munich (Meisterwerke Muhammedanischer Kunst, 1910).1 These did not represent however the first or sole opportunities for direct exposure to artworks from the Eastern Mediterranean and North Africa that were offered to European audiences during the age of empire, industry and spectacle. Every single Universal Exposition since 1851 presented objects from the region,2 whether they were the product of current craftsmanship or “curiosities” from the past – the common term then used for non-Western artworks.3 From the very beginning, shows devoted to applied arts, routinely described as industrial, ornamental or decorative in the sources, also hosted Islamic artefacts among their exhibits; alternative viewing was thus provided to those who had not travelled East. More","PeriodicalId":114953,"journal":{"name":"Antique Dealing and Creative Reuse in Cairo and Damascus 1850-1890","volume":"1 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2021-05-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Antique Dealing and Creative Reuse in Cairo and Damascus 1850-1890","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1163/9789004449886_003","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
This is an open access chapter distributed under the terms of the CC BY-NC-ND 4.0 license. Early displays of Islamic arts and crafts in nineteenth-century Europe are commonly associated with a set of shows that were held between 1885 and 1910 in London (Exhibition of Arab and Persian Art, 1885), Paris (Les Arts musulmans, 1893 and 1903), Stockholm (F. R. Martins Sammlungen aus dem Orient within the General Art and Industry exhibition, 1897), Algiers (Exposition d’art musulman, 1905) and Munich (Meisterwerke Muhammedanischer Kunst, 1910).1 These did not represent however the first or sole opportunities for direct exposure to artworks from the Eastern Mediterranean and North Africa that were offered to European audiences during the age of empire, industry and spectacle. Every single Universal Exposition since 1851 presented objects from the region,2 whether they were the product of current craftsmanship or “curiosities” from the past – the common term then used for non-Western artworks.3 From the very beginning, shows devoted to applied arts, routinely described as industrial, ornamental or decorative in the sources, also hosted Islamic artefacts among their exhibits; alternative viewing was thus provided to those who had not travelled East. More
这是一个在CC BY-NC-ND 4.0许可条款下发布的开放获取章节。19世纪欧洲早期的伊斯兰艺术和工艺展览通常与1885年至1910年间在伦敦(阿拉伯和波斯艺术展览,1885年)、巴黎(Les arts musulmans, 1893年和1903年)、斯德哥尔摩(F. R. Martins Sammlungen aus dem Orient within General Art and Industry展览,1897年)、阿尔及尔(Exposition d’Art musulman, 1905年)和慕尼黑(Meisterwerke Muhammedanischer Kunst, 1910年)举办的一系列展览有关然而,这些并不是第一次或唯一一次直接接触东地中海和北非艺术作品的机会,而这些艺术作品是在帝国、工业和奇观时代提供给欧洲观众的。自1851年以来,每一届世界博览会都会展出来自该地区的物品,无论它们是当前工艺的产物,还是过去的“珍品”——当时用于非西方艺术品的常用术语从一开始,专门展示应用艺术的展览,在资料中通常被描述为工业的、装饰性的或装饰性的,在他们的展品中也有伊斯兰文物;因此,为没有到东方旅行的人提供了另一种观赏方式。更多的