Rodzaje odbitek występujących w grafice artystycznej w kontekście nieuczciwych zachowań uczestników rynku dzieł sztuki

Olivia Rybak-Karkosz
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Abstract

Types of copies in artistic prints in the context of dishonest behaviour of art market participants The study analyses dishonest activities related to the types of copies of artistic prints, which are undertaken by participants of the art market. In the introduction, legal regulations concerning counterfeiting of artistic prints were discussed. Appropriate legal qualification of an act is important in the context of assigning criminal responsibility and the level of threat of punishment. As a rule, if an object is a historical monument within the meaning of the Act on the protection of historical monuments, the provisions of art. 109a are applied, which penalises counterfeiting or falsifying the historical monument in order to use it in the trade of historical monuments. Other cases are governed by art. 286 §1 of the Penal Code, which penalises fraud. However, not all actions undertaken by dishonest bidders and concerning the disposal of a plate or interference with the composition placed on it constitute forgery. Some of them constitute fraud, others, for example, deliberate lowering of the print run in order to artificially increase the demand for a given object. The article then lists the types of copies and briefly describes them. These include: copies made by the printmaker or a printmaking workshop working with the printmaker, copies with an original purpose other than commercial, posthumous copies, and copies from retouched plates, corrected or altered to some extent. The type of the copy is one of the factors determining the collector’s value of artistic prints. The last part of the study was devoted to state alteration, which is one of the ways of counterfeiting artistic prints. Condition alteration may be the effect of interference in the original plate or the copy itself. The final effect of the procedure is the change of the copy or the plate, which results in the adoption of a different state. Final conclusions are included at the end.
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在艺术市场参与者不诚实行为的背景下艺术版画的副本类型本研究分析了与艺术版画副本类型相关的不诚实活动,这些活动是由艺术市场参与者承担的。在引言部分,讨论了赝品的法律规制问题。在确定刑事责任和处罚威胁程度的背景下,行为的适当法律资格是重要的。作为一项规则,如果某一物体是《保护历史遗迹法》意义上的历史遗迹,则art的规定。,处罚伪造或伪造历史古迹,以便将其用于历史古迹交易。其他情况则由艺术规定。《刑法典》第286条第1款,处罚欺诈行为。然而,并非不诚实的竞买人所采取的所有有关处置版画或干扰版画上的构图的行为都构成伪造。其中一些构成欺诈,其他的,例如,故意降低印量,以人为地增加对给定对象的需求。然后,文章列出了副本的类型并简要描述了它们。这些包括:由版画家或与版画家合作的版画工作室制作的复制品,具有商业以外的原始目的的复制品,死后的复制品,以及经过某种程度修改或修改的修复版的复制品。复制品的类型是决定艺术版画收藏家价值的因素之一。研究的最后一部分是对伪造艺术版画的一种方法——状态篡改进行了研究。条件的改变可能是原始版或副本本身受到干扰的结果。程序的最终效果是副本或版的变化,从而导致采用不同的状态。最后给出了最后的结论。
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