NOSTALGIA AND ROMANCE: A STUDY OF RELATIONSHIPS IN LOOK BACK IN ANGER

Monisha Rai Dastidar
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Abstract

NOSTALGIA AND ROMANCE: A STUDY OF RELATIONSHIPS IN LOOK BACK IN ANGER (pp. 90-107): Jun 2023 : I [I] Monisha Rai Dastidar DOI Link : https://doi.org/10.51767/JEN010107 NOSTALGIA AND ROMANCE: A STUDY OF RELATIONSHIPS IN LOOK BACK IN ANGER by Monisha Rai Dastidar is licensed under CC BY-NC-SA 4.0 Look Back in Anger is about the feelings of fury of the post-war penetration that felt betrayed, sold-out and irrevocably ruined; of the older generation that is like the “sturdy old plants left over from the Edwardian twilight who cannot understand why the sun isn’t shining anymore”; of women who seek identity in age-old practices and relationships like marriage only to find themselves gasping for “a little peace”; of people who cannot save their love from the “cruel steel traps” of society. The consciousness of “high noon” of the Victorian and Edwardian era looms painfully over the breeding ground of the post-war city of London and its emotionless existence. Nostalgia seems to be the only way to survive the emotional and social claustrophobia. The fate of each individual lies as if in looking back. This paper attempts to explore the different relationships that John Osborne offers in his play. This paper also seeks to know about the pitfalls of romance where neither looking back is pleasurable, nor does it hold anything to look ahead. Can a relationship sustain without a future but only a bitter past? Does the same thing happen to friendships and other filial relationships? Does love fall apart due to external forces or if the lovers do not know the way to hold on? Can love really be held on to? These are some of the questions that this paper seeks answers for.
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怀旧与浪漫:愤怒中回顾的关系研究
怀旧与浪漫:在愤怒中回顾的关系研究(pp. 90-107): 2023年6月:I [I]莫尼沙·拉伊·达斯提达DOI链接:https://doi.org/10.51767/JEN010107怀旧与浪漫:在愤怒中回顾的关系研究由莫尼沙·拉伊·达斯提达在CC by - nc - sa 4.0许可下回顾愤怒是关于战后渗透的愤怒感觉背叛,售完和不可挽回的破坏;老一辈的人就像“爱德华时代的暮色中遗留下来的粗壮的老植物,他们不明白为什么太阳不再照耀”;在古老的习俗和婚姻等关系中寻求身份认同的女性,却发现自己渴望“一点点平静”;人们无法从社会的“残酷的钢铁陷阱”中拯救他们的爱。维多利亚和爱德华时代的“正午”意识痛苦地笼罩着战后伦敦这座城市的孕育地,笼罩着它毫无情感的存在。怀旧似乎是在情感和社交幽闭恐惧症中生存下来的唯一途径。每个人的命运,仿佛就在回首。本文试图探讨约翰·奥斯本在他的戏剧中所呈现的不同关系。这篇论文还试图了解浪漫的陷阱,即回顾过去既不令人愉快,也没有任何向前看的东西。没有未来,只有痛苦的过去,一段感情能维持下去吗?同样的事情也会发生在友谊和其他孝顺关系中吗?爱情的破裂是由于外力还是因为恋人不知道如何坚持?爱真的能被抓住吗?这些都是本文寻求答案的一些问题。
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