The Origin of Monumental Architecture in Egypt

Abstract

Interchange of ideas between individuals, it is generally admitted, stimulates mental activity. But that intercourse between communities has the same effect is not so readily granted. In fact, any suggestion of foreign influence upon a community is likely to be regarded as derogatory to the group. It is forgotten that the "cultural potential"' of the group is one of the most important elements in the process and that there is an immense difference between mechanical copying, on the one hand, and, on the other, creative borrowing in which a stimulus from outside unchains indigenous inventiveness. The origin of monumental architecture in Egypt is a case in point. Suddenly, with the First Egyptian Dynasty, we find throughout the country buildings of sun-dried brick, ornamented with elaborate recesses. This type of architecture did not survive the Fourth Dynasty, but its derivations, translated into stone or paint, are found at all periods in the "false doors" of the tombs and in the traditional frame