OPTIMALISASI POTENSI KARYA MAHASISWA MATA KULIAH GRAFIKA DKV MELALUI GALERI ONLINE

A. M. Sulaiman, S. Sugiyanto
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引用次数: 2

Abstract

Graphic reproduction courses or printing methods are one of the courses that always exist in every college of Visual Communication Design in Indonesia, with this course students are expected to understand how the Final Artwork (FA) printing process is correct, the result is the quality of the design work Finally, students have met print-ready standards in accordance with the graphic industry standard so that it has the potential to be offered to the public at large as ready-to-use works, but unfortunately the student's work has only ended up in storage. This study aims to optimize the potential that exists in the final design work to be more widely useful. This study uses a qualitative method with a descriptive approach aimed at analyzing the quality of student design assignments in the Gafika Reproduction Method course, and creating an online gallery as a means of channeling existing design potential
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通过在线画廊最大化DKV图形专业学生的潜力
图形复制课程或印刷方法是印度尼西亚每一所视觉传达设计学院都开设的课程之一,通过这门课程,学生将了解最终艺术品(FA)印刷过程是如何正确的,结果是设计作品的质量。最后,学生根据图形行业标准达到印刷标准,以便有可能将其作为现成的作品提供给公众。但不幸的是,这名学生的作品最终只是被封存起来了。本研究旨在优化最终设计工作中存在的潜力,使其具有更广泛的用途。本研究采用定性方法和描述性方法,旨在分析Gafika复制方法课程中学生设计作业的质量,并创建一个在线画廊作为引导现有设计潜力的手段
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REPRESENTASI ASPEK PERLAWANAN PADA DOMINASI PATRIARKI BUDAYA BALI DALAM KARYA I GAK MURNIASIH DAN CITRA SASMITA PERAN RUANG RELAKSASI PADA PERANCANGAN BERKONSEP KREATIF UNTUK PENINGKATAN KREATIVITAS KARYAWAN KANTOR 24SLIDES INDONESIA STUDI PERBANDINGAN ANIMASI 360 DERAJAT BERTEMA SEJARAH REPRESENTASI VISUAL PRASI UNTUK MEMPERTAHANKAN KEARIFAN LOKAL MASYARAKAT BALI PADA ERA DISRUPTIF 4.0 MASALAH YANG DIHADAPI MAHASISWA PSTM UM KONSENTRASI TARI PADA MATA KULIAH TARI BALI DI TENGAH PANDEMI COVID-19
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