The Curving Shore of Time and Space: Notes on the Prologue to Pushkin’s Ruslan and Ludmila

J. R. Russell
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Abstract

This chapter approaches that question, albeit with respect to the Prologue to Ruslan and Ludmila ; rather than the larger poem: Is there the possibility of a profound, symbolic, spiritually fulfilling meaning? One starts with a cursory survey of the history of the text, its literary context, and its reception; this is followed by a close reading. One then employs an illustration of the poem after Pushkin's death by the rather obscure artist Ramazanov to establish a visual structure, as though the poem were ekphrastic, travelling from left to right and up and down, onto the temporally sequential scene established by Pushkin. The chapter also explores the work of several visionary Russian writers after Pushkin: Vladimir Nabokov, Velimir Khlebnikov, and Daniil Kharms - who have been inspired by elements of the Prologue . Keywords:Daniil Kharms; Prologue to Ruslan and Ludmila ; Pushkin; Ramazanov; Russian poetic art; Velimir Khlebnikov; Vladimir Nabokov
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弯曲的时空之岸:普希金《鲁斯兰与柳德米拉》序注
这一章探讨了这个问题,尽管是关于《鲁斯兰和柳德米拉》的序言;而不是更大的诗:有没有可能有深刻的、象征性的、精神上的满足?首先,我们粗略地回顾一下文本的历史、文学背景和接受情况;接下来是细读。然后,在普希金死后,一个相当不知名的艺术家拉马扎诺夫(Ramazanov)为这首诗画了一幅插图,以建立一种视觉结构,就好像这首诗是随意的,从左到右,从上到下,在普希金建立的时间顺序场景上。这一章还探讨了普希金之后几位有远见的俄罗斯作家的作品:弗拉基米尔·纳博科夫、韦利米尔·赫列布尼科夫和丹尼尔·哈姆斯——他们都受到了《序言》元素的启发。关键词:丹尼尔Kharms;《鲁斯兰与柳德米拉》序言;普希金;Ramazanov;俄国诗歌艺术;Velimir Khlebnikov;弗拉基米尔·纳博科夫
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