Gli accordi ANICA-MPEA e l'impiego dei capitali americani nel nostro cinema / PARTE 1 – I primi due accordi e la promozione del cinema italiano all'estero
{"title":"Gli accordi ANICA-MPEA e l'impiego dei capitali americani nel nostro cinema / PARTE 1 – I primi due accordi e la promozione del cinema italiano all'estero","authors":"Federico Di Chio","doi":"10.54103/2532-2486/19032","DOIUrl":null,"url":null,"abstract":"From 1946 to 1962, the producers’ share of the rentals of US films in Italy was blocked in Italy. The specific use-cases of these funds – both in the film industry and in other sectors – were codified in a series of agreements which involved both governments. For the firsttime, all six understandings between the trade organizations ANICA and MPAA/MPEA are studied in detail. Based on archival research, the article reconstructs their development and implementation. The agreements, which regulated Italian-American film relations from1951 until 1962, promoted joint productions and supported the distribution of Italian films by US Studios.","PeriodicalId":248976,"journal":{"name":"Schermi. Storie e culture del cinema e dei media in Italia","volume":"48 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2022-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Schermi. Storie e culture del cinema e dei media in Italia","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.54103/2532-2486/19032","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
From 1946 to 1962, the producers’ share of the rentals of US films in Italy was blocked in Italy. The specific use-cases of these funds – both in the film industry and in other sectors – were codified in a series of agreements which involved both governments. For the firsttime, all six understandings between the trade organizations ANICA and MPAA/MPEA are studied in detail. Based on archival research, the article reconstructs their development and implementation. The agreements, which regulated Italian-American film relations from1951 until 1962, promoted joint productions and supported the distribution of Italian films by US Studios.