The Proletariat Class Struggle Portrayal In AKMU’S Dinosaur: Marxism Approach

Sitti Kamila Meutia Sani, Putu Lirishati Soethama, Made Detriasmita Saientisna, Ni luh Nyoman Seri Malini
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Abstract

This research discusses the portrayal of the proletariat social class in AKMU's song entitled Dinosaur. This descriptive qualitative research focuses on finding out the class struggle suffered by the proletariat class in South Korea due to the 1998 monetary crisis portrayed by the lyrics of Dinosaur by AKMU, from the Marxism theory by Karl Marx. The song title Dinosaur itself is a metaphor in the context of debt collectors. On that account, the view of the proletariat social class put forward by Karl Marx (1867) is a propitious match for a song analysis in Dinosaur by AKMU. Data were collected by observing the lyrics, music videos, and related interviews with AKMU as the writer, composer, and singer. The data was flocked together by the note-taking approach to discover data to latch onto valid information related. The conclusion shows that Dinosaur by AKMU portrays economic conditions between the proletariat and the ubiquitousness of debt collectors in South Korea due to the 1998 monetary crisis. The solidity of the debt collector industry was bolstered by the emergence of families from the lower middle class who have entangled in the instability of the poverty rate in South Korea at the time the song Dinosaur was released.
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AKMU恐龙中的无产阶级阶级斗争写照:马克思主义的方法
本研究探讨AKMU歌曲《恐龙》对无产阶级社会阶层的刻画。本描述性定性研究的重点是从马克思的马克思主义理论中,找出AKMU的《恐龙》歌词所描绘的韩国无产阶级在1998年金融危机中所遭受的阶级斗争。这首歌的名字“恐龙”本身就是讨债人背景下的隐喻。因此,马克思(1867)提出的无产阶级社会阶级观与AKMU的《恐龙》中的一首歌曲分析十分吻合。数据是通过观察歌词、音乐视频以及AKMU作为作者、作曲家和歌手的相关采访来收集的。通过笔记的方法将数据聚集在一起,以发现数据以锁定相关的有效信息。结论是,AKMU的《恐龙》描绘了1998年金融危机后,韩国无产阶级和无处不在的讨债者之间的经济状况。在《恐龙》这首歌发行时,陷入韩国贫困率不稳定的中下层家庭的出现,为讨债行业的稳固性提供了支撑。
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