{"title":"Newly-Discovered Manuscripts of a Northern-Chinese Horse King Temple Association","authors":"M. Shahar","doi":"10.1163/15685322-10512P05","DOIUrl":null,"url":null,"abstract":"Written documents from rural north China are rare. This essay examines the newly-discovered records of a Shanxi village association, which was dedicated to the cult of the Horse King. The manuscripts detail the activities, revenues, and expenditures of the Horse King temple association over a hundred-year period (from 1852 until 1956). The essay examines them from social, cultural, and religious perspectives. The manuscripts reveal the internal workings and communal values of a late imperial village association. They unravel the social and economic structure of the village and the centrality of theater in rural culture. Furthermore, the manuscripts bring to the fore a forgotten cult and its ecological background: the Horse King was among the most widely worshiped deities of late imperial China, his flourishing cult reflecting the significance of his protégés – horses, donkeys, and mules – in the agrarian economy.","PeriodicalId":378098,"journal":{"name":"T’oung Pao","volume":"123 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2019-06-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"T’oung Pao","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1163/15685322-10512P05","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 1
Abstract
Written documents from rural north China are rare. This essay examines the newly-discovered records of a Shanxi village association, which was dedicated to the cult of the Horse King. The manuscripts detail the activities, revenues, and expenditures of the Horse King temple association over a hundred-year period (from 1852 until 1956). The essay examines them from social, cultural, and religious perspectives. The manuscripts reveal the internal workings and communal values of a late imperial village association. They unravel the social and economic structure of the village and the centrality of theater in rural culture. Furthermore, the manuscripts bring to the fore a forgotten cult and its ecological background: the Horse King was among the most widely worshiped deities of late imperial China, his flourishing cult reflecting the significance of his protégés – horses, donkeys, and mules – in the agrarian economy.