{"title":"Between León and the Levant: The Infanta Sancha’s Altar as Material Evidence for Medieval History","authors":"J. Jasperse","doi":"10.1163/15700674-12340041","DOIUrl":null,"url":null,"abstract":"\nIn the Museo de la Real Colegiata de San Isidoro in León, Spain, an intriguing portable altar is on display. Its multicolored stone and long inscription detailing the material objects enshrined within invite an analysis of the artwork in terms of materiality and mobility. This article addresses the multiple questions raised by the altar, shifting away from a straightforward interpretation of patronage by Sancha of León-Castilla (ca. 1095–1159), whose name is inscribed on its face. Conceptualizing the altar as a multilayered object that can be placed within Sancha’s network of connections facilitates our understanding of this exotic artifact between León and the Levant.","PeriodicalId":188088,"journal":{"name":"The Medieval Iberian Treasury in the Context of Cultural Interchange (Expanded Edition)","volume":"1 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2019-03-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"The Medieval Iberian Treasury in the Context of Cultural Interchange (Expanded Edition)","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1163/15700674-12340041","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 1
Abstract
In the Museo de la Real Colegiata de San Isidoro in León, Spain, an intriguing portable altar is on display. Its multicolored stone and long inscription detailing the material objects enshrined within invite an analysis of the artwork in terms of materiality and mobility. This article addresses the multiple questions raised by the altar, shifting away from a straightforward interpretation of patronage by Sancha of León-Castilla (ca. 1095–1159), whose name is inscribed on its face. Conceptualizing the altar as a multilayered object that can be placed within Sancha’s network of connections facilitates our understanding of this exotic artifact between León and the Levant.
在西班牙León的圣伊西多罗皇家学院博物馆(Museo de la Real Colegiata de San Isidoro)展出了一个有趣的便携式祭坛。它的彩色石头和长长的铭文详细说明了其中的物质对象，邀请人们从物质和流动性方面对艺术品进行分析。这篇文章解决了祭坛提出的多个问题，从León-Castilla(约1095-1159)的三查赞助的直接解释转移，他的名字刻在它的脸上。将祭坛概念化为一个多层的物体，可以放置在Sancha的连接网络中，这有助于我们理解León和黎凡特之间的异国文物。
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