Medievalism Disoriented

Louise D’Arcens
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Abstract

This chapter examines the valency of the Middle Ages in the recent French political imaginary, tracing how the nationalist medievalisms of recent decades can be read as a response to the perceived threats and uncertainties of globalization. The chapter explores the heated debates sparked by neoreactionary commentator Éric Zemmour’s use of the Middle Ages to account for France’s apparent loss of identity in the era of multiculturalism and the globalized economy. It also analyses how these debates play out in three recent novels that offer medievalist explorations of contemporary French identity: Jérôme Ferrari’s Sermon on the Fall of Rome (2012), Michel Houellebecq’s notorious 2015 novel Submission, and Mathias Enard’s 2015 novel Compass. By examining these texts together, the chapter offers an account of how France in the age of globalization has used the Middle Ages to understand its own long, contradictory love affair with ideas of nation, empire, and world.
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中世纪精神迷失方向
本章考察了中世纪在最近法国政治想象中的价值,追溯了近几十年的民族主义中世纪如何被解读为对全球化的威胁和不确定性的回应。这一章探讨了新反动评论家Éric泽穆尔用中世纪来解释法国在多元文化主义和全球化经济时代明显丧失身份的激烈辩论。它还分析了这些争论是如何在最近的三部小说中展开的,这些小说对当代法国身份进行了中世纪式的探索:Jérôme法拉利的《罗马的沦陷》(2012),米歇尔·维勒贝克臭名昭著的2015年小说《屈服》,以及马蒂亚斯·埃纳德的2015年小说《指南针》。通过对这些文本的综合研究,本章提供了一个关于全球化时代的法国如何利用中世纪来理解自己与国家、帝国和世界观念之间长期而矛盾的恋爱关系的描述。
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