Ceremony, Genealogy, Political Theology

S. Elden
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Abstract

This chapter begins the work of interrogating the concept and practice of ceremony historically and theoretically. There has been some important recent work that examines the question of ceremony and its contemporary political instantiations and that examines specific ceremonial practices in different historical periods. This chapter discusses this work, develops an argument about how to understand ceremony in relation to political theology, and shows how tracing the etymology and history of ceremony can be helpful in understanding it today. All ceremonies have at least the trace of a religious lineage, even if they appear to be for purely secular purposes. The chapter explores themes around bodies and materials—gesture, choreography, clothing, and objects; the texts or liturgy of ceremony; and the temporality and spatiality of ceremony. The ceremonial is an aspect of the performance of politics but also of the politics of performance. Through a brief discussion of Shakespeare’s play Henry V, the chapter explores this question of political theater.
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仪式,家谱,政治神学
这一章开始从历史和理论上对仪式的概念和实践进行质疑。最近有一些重要的工作,研究了仪式的问题及其当代政治实例,研究了不同历史时期的具体仪式实践。本章讨论了这项工作,提出了一个关于如何理解与政治神学相关的仪式的论点,并展示了追踪仪式的词源和历史如何有助于今天理解它。所有的仪式至少都有宗教血统的痕迹,即使它们看起来纯粹是为了世俗的目的。这一章探讨了围绕身体和材料的主题——手势、舞蹈、服装和物体;礼仪:仪式的文本或礼仪;仪式的时间性和空间性。仪式是政治表演的一个方面也是政治表演的一个方面。通过对莎士比亚戏剧《亨利五世》的简短讨论,本章探讨了政治戏剧的这个问题。
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