«...EVERYTHING IS NOT ONLY THE MOST TRUTH, BUT EVEN BETTER THAN IT» (THE SECRET OF THE UNITY OF ETHICAL AND AESTHETIC IN СREATIVE MINDS Of PUSHKIN AND GOGOL)

E. I. Annenkova
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Abstract

The article provides a comparative analysis of the reflections of Pushkin and Gogol on the nature of the relationship between ethical and aesthetic principles in the creative process. Based on the late lyric poetry of Pushkin, Gogol’s epistolary legacy of the early 1840s and a historical and literary excursion in «Selected Passages from Correspondence with Friends», both rapprochements and fundamental differences in the positions of the two authors are revealed. Gogol’s judgments about the mystery of Pushkin’s personality and about «The Captain’s Daughter» as «the best Russian work in a narrative genre» can be considered as the basis for further multidirectional interpretations of the spiritual phenomenon of Pushkin in Russian criticism and literary criticism.
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«……一切不仅是最真实的,而且比它更好”(СREATIVE普希金与果戈里思想中伦理与美学统一的秘密)
本文比较分析了普希金和果戈里在创作过程中对伦理原则与审美原则关系本质的思考。根据普希金晚期的抒情诗,果戈理在19世纪40年代早期的书信遗产,以及《与朋友通信选段》中的历史和文学之旅,揭示了两位作者在立场上的和解和根本差异。果戈理对普希金人格的神秘性和《上尉的女儿》作为“俄罗斯叙事体裁中最好的作品”的判断,可以被认为是进一步多向解释普希金在俄罗斯批评和文学批评中的精神现象的基础。
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