Exploring the Possibility of Trans-Identity Storytelling as a Methodology for Film Criticism

Jonghyun Lee
{"title":"Exploring the Possibility of Trans-Identity Storytelling as a Methodology for Film Criticism","authors":"Jonghyun Lee","doi":"10.32611/jgcc.2022.8.52.289","DOIUrl":null,"url":null,"abstract":"This study expands the concept of trans-identity storytelling and explores its potential as a film criticism methodology. Trans-identity storytelling is a theory that studies narratives from the perspective of characters on the premise that the composition of movie narratives is developed with a focus on the change of person's identity. In order to be precise in the content of the concept, the etymological meaning of ‘Trans’ and the perception of existing scholars were examined, and the characteristics of incompleteness of words were useful in explaining beings that were wealthy or changed in the world's recognition system. The concept of ‘Trans-media storytelling’, a relative concept of trans-identity storytelling, was critically reviewed, and it was revealed that both industrial and humanistic values were included due to the content-oriented and human-oriented nature of the concept. In addition, trans identity storytelling is connected to the traditional narrative writing principle and embraces popularity in that it aims for a change in characters. On the one hand, the act of changing identity is a phenomenon that deviates from the universal realm in defiance of the solid recognition system of the existing society, and encompasses the value of diversity in terms of individuality and specificity against universality. In other words, trans- identity storytelling is a narrative theory that can convey their stories interestingly while illuminating people outside the mainstream of the world. Furthermore, if film criticism is a work to seek positive changes in the world by discovering profound content on the basis of film's outerization, trans-identity storytelling, which criticizes the world's dichotomous perception system and respects the values of various humans, becomes the foundation of endless profoundness. Film criticism and trans-identity storytelling can be connected by a shared point that aims for change in humans and the world. In the future, we hope that trans-identity storytelling, which conveys the value of humanity, will become rich and that movie criticism from the perspective of trans-identity, which leads to the transformation of the world, will become the mainstream.","PeriodicalId":161830,"journal":{"name":"Academic Association of Global Cultural Contents","volume":"61 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2022-08-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Academic Association of Global Cultural Contents","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.32611/jgcc.2022.8.52.289","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0

Abstract

This study expands the concept of trans-identity storytelling and explores its potential as a film criticism methodology. Trans-identity storytelling is a theory that studies narratives from the perspective of characters on the premise that the composition of movie narratives is developed with a focus on the change of person's identity. In order to be precise in the content of the concept, the etymological meaning of ‘Trans’ and the perception of existing scholars were examined, and the characteristics of incompleteness of words were useful in explaining beings that were wealthy or changed in the world's recognition system. The concept of ‘Trans-media storytelling’, a relative concept of trans-identity storytelling, was critically reviewed, and it was revealed that both industrial and humanistic values were included due to the content-oriented and human-oriented nature of the concept. In addition, trans identity storytelling is connected to the traditional narrative writing principle and embraces popularity in that it aims for a change in characters. On the one hand, the act of changing identity is a phenomenon that deviates from the universal realm in defiance of the solid recognition system of the existing society, and encompasses the value of diversity in terms of individuality and specificity against universality. In other words, trans- identity storytelling is a narrative theory that can convey their stories interestingly while illuminating people outside the mainstream of the world. Furthermore, if film criticism is a work to seek positive changes in the world by discovering profound content on the basis of film's outerization, trans-identity storytelling, which criticizes the world's dichotomous perception system and respects the values of various humans, becomes the foundation of endless profoundness. Film criticism and trans-identity storytelling can be connected by a shared point that aims for change in humans and the world. In the future, we hope that trans-identity storytelling, which conveys the value of humanity, will become rich and that movie criticism from the perspective of trans-identity, which leads to the transformation of the world, will become the mainstream.
查看原文
分享 分享
微信好友 朋友圈 QQ好友 复制链接
本刊更多论文
探索跨身份叙事作为电影评论方法论的可能性
本研究扩展了跨身份叙事的概念,并探讨其作为电影评论方法的潜力。跨身份叙事是一种从人物角度研究叙事的理论,其前提是电影叙事的构成是以人物身份的变化为中心展开的。为了在概念内容上做到准确,考察了“Trans”的词源意义和现有学者的感知,词语不完整的特征有助于解释在世界识别系统中富裕或变化的存在。“跨媒体讲故事”是跨身份讲故事的一个相对概念,本文对“跨媒体讲故事”这一概念进行了批判性的回顾,发现由于这一概念的内容导向和以人为本的性质,它既包含了工业价值,也包含了人文价值。此外,跨性别叙事与传统的叙事写作原则相联系,并以人物的变化为目标,因此受到欢迎。一方面,身份转换行为是一种背离普遍领域的现象,它蔑视现存社会的坚实的认识体系,在个性和特殊性方面蕴涵着反对普遍性的多样性价值。换句话说,跨身份叙事是一种叙事理论,可以有趣地传达他们的故事,同时照亮世界主流之外的人。此外,如果说影评是在电影外化的基础上,通过发现深刻的内容来寻求世界的积极变化的工作,那么,批判世界二元感知体系、尊重不同人类价值观的跨身份叙事则成为无尽的深刻的基础。电影评论和跨身份叙事可以通过旨在改变人类和世界的共同观点联系起来。未来,我们希望传递人性价值的跨身份叙事变得丰富,希望以跨身份视角的影评成为主流,从而引领世界的转型。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
求助全文
约1分钟内获得全文 去求助
来源期刊
自引率
0.00%
发文量
0
期刊最新文献
A Study on Transmedia Storytelling Using the Character of ‘Puss in Boots Participation Motivation of Generation Y and Generation Z Backers in Crowdfunding for Publishing Sectors A Study on the Characteristics of Hikikomori and Resilience in the Japanese Movie A Study on the Idol Motif in Korean Web fiction Diversity of Theatrical Hit Animated Films Supply on OTT Platforms: Focusing on Genre and Nationality
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
现在去查看 取消
×
提示
确定
0
微信
客服QQ
Book学术公众号 扫码关注我们
反馈
×
意见反馈
请填写您的意见或建议
请填写您的手机或邮箱
已复制链接
已复制链接
快去分享给好友吧!
我知道了
×
扫码分享
扫码分享
Book学术官方微信
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术
文献互助 智能选刊 最新文献 互助须知 联系我们:info@booksci.cn
Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。
Copyright © 2023 Book学术 All rights reserved.
ghs 京公网安备 11010802042870号 京ICP备2023020795号-1