A Study on the Characteristics of Hikikomori and Resilience in the Japanese Movie

Junsoo Kang
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Abstract

The purpose of this study is to discuss ways to overcome the hikikomori phenomenon, a reclusive loner, through the Japanese film directed by Yamashita Nobuhiro (山下敦弘) released in 2013. Characteristics of hikikomori are dreamer temperament, escapism, and double appearance. Hikikomori shows a state of maladjustment in reality, with a tendency to identify imaginary images with reality. The gap between the ideal and the reality of hikikomori works as a factor that makes social adaptation difficult while generating cognitive dissonance. Basically, hikikomori shows fear of society or loss of confidence. Hikikomori fail to form bonds with others and experience wounds as people, entering their own world and living an isolated life. Hikikomori needs a period of recovery to become normal. This process can be defined as resilience, and the expression of interest and love between family members can have a direct impact. The female protagonist of this movie shows herself living a meaningless daily life without hope. In particular, this movie takes the attitude of calmly conveying the frustrating and helpless reality of young people from an objective standpoint and does not scold them. This is because the appearance of helpless young people is not arbitrary, but rather a result of issues of social responsibility or structure. The movie presents that the helpless heroine's daily life was a fierce inner struggle as she prepares step by step for her positive future. In conclusion, rather than unilaterally criticizing helpless young people, society and the older generation need to be more relaxed and interested in helping them develop resilience.
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日本电影中的蛰居族特征和复原力研究
本研究的目的是通过 2013 年上映的由山下敦弘(Yamashita Nobuhiro)执导的日本电影,探讨克服蛰居独行者--蛰居族现象的方法。蛰居者的特征是梦想家气质、逃避现实和双重外表。蛰居者表现出一种不适应现实的状态,倾向于将想象中的形象与现实相提并论。蛰居者的理想与现实之间的差距是导致其难以适应社会的一个因素,同时也会产生认知失调。 从根本上说,蛰居者表现出对社会的恐惧或丧失信心。蛰居者无法与他人建立联系,体验不到作为人的伤痛,只能进入自己的世界,过着与世隔绝的生活。蛰居者需要经过一段时间的恢复才能变得正常。这个过程可以定义为恢复力,而家庭成员之间的关心和爱的表达会产生直接的影响。 影片中的女主角表现出自己每天过着毫无意义的生活,看不到希望。尤其是,这部电影从客观的角度出发,以冷静的态度传达了年轻人无奈、无助的现实,并没有对他们进行责骂。这是因为,无助青年的出现并非随意而为,而是社会责任或结构问题的结果。电影呈现了无助的女主人公的日常生活,是她一步步为积极的未来做准备的激烈的内心斗争。总之,与其片面地批评无助的年轻人,社会和老一辈人更需要放宽心态,关心帮助他们培养抗挫折能力。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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