{"title":"Diversity of Theatrical Hit Animated Films Supply on OTT Platforms: Focusing on Genre and Nationality","authors":"B. Chon","doi":"10.32611/jgcc.2023.11.57.225","DOIUrl":null,"url":null,"abstract":"This study aims to examine the diversity of animation supply on OTT platforms using the top 50 domestic and international animated films in terms of box office success as a basis. The key findings are as follows. Firstly, subscription-based OTT services generally tend to offer only popular selected animations. On the other hand, VOD-based OTT services were found to provide most hit animations through purchasing or renting options. Subscription-based OTT services had lower content scale and diversity compared to VOD-based OTT services. Secondly, when examining the distribution by nationality, animations from three countries including Japan, the United States, and Korea accounted for 68.0%. When looking at the specific OTT platform services, Japanese, American, and Korean animations had a high supply rate across various OTT services, including Wavve Purchase (83.3%), Apple TV (75.0%), Disney Plus (100.0%), Watcha (66.7%), and Netflix (70.0%). Thirdly, when examining the distribution by genre, adventure, fantasy, and action accounted for 64.0%. When observed on specific OTT platform services, the supply rate of animations within these three genres was high on Wavve Purchase (66.7%), Apple TV (62.5%), Disney Plus (66.7%), Watcha (76.7%), and Netflix (60.0%).","PeriodicalId":161830,"journal":{"name":"Academic Association of Global Cultural Contents","volume":"107 1","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2023-11-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Academic Association of Global Cultural Contents","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.32611/jgcc.2023.11.57.225","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
This study aims to examine the diversity of animation supply on OTT platforms using the top 50 domestic and international animated films in terms of box office success as a basis. The key findings are as follows. Firstly, subscription-based OTT services generally tend to offer only popular selected animations. On the other hand, VOD-based OTT services were found to provide most hit animations through purchasing or renting options. Subscription-based OTT services had lower content scale and diversity compared to VOD-based OTT services. Secondly, when examining the distribution by nationality, animations from three countries including Japan, the United States, and Korea accounted for 68.0%. When looking at the specific OTT platform services, Japanese, American, and Korean animations had a high supply rate across various OTT services, including Wavve Purchase (83.3%), Apple TV (75.0%), Disney Plus (100.0%), Watcha (66.7%), and Netflix (70.0%). Thirdly, when examining the distribution by genre, adventure, fantasy, and action accounted for 64.0%. When observed on specific OTT platform services, the supply rate of animations within these three genres was high on Wavve Purchase (66.7%), Apple TV (62.5%), Disney Plus (66.7%), Watcha (76.7%), and Netflix (60.0%).
本研究旨在以票房排名前 50 位的国内外动画电影为基础,研究 OTT 平台上动画供应的多样性。主要发现如下。首先,以订阅为基础的 OTT 服务一般只提供热门的精选动画片。另一方面,点播型 OTT 服务则通过购买或租赁方式提供大部分热门动画片。与点播型 OTT 服务相比,订阅型 OTT 服务的内容规模和多样性较低。其次,从国别分布来看,来自日本、美国、韩国等三个国家的动画片占 68.0%。从具体的 OTT 平台服务来看,日本、美国和韩国动画在各种 OTT 服务中的供应率都很高,包括 Wavve Purchase(83.3%)、Apple TV(75.0%)、Disney Plus(100.0%)、Watcha(66.7%)和 Netflix(70.0%)。第三,从类型分布来看,冒险、奇幻和动作类占 64.0%。在具体的 OTT 平台服务上观察,这三类动画在 Wavve Purchase(66.7%)、Apple TV(62.5%)、Disney Plus(66.7%)、Watcha(76.7%)和 Netflix(60.0%)上的供应率较高。