{"title":"CREATIVITY A. DANTE IN MODERN MASS CULTURE","authors":"V. Lebedev","doi":"10.21564/2663-5704.52.250443","DOIUrl":null,"url":null,"abstract":"The purpose of this article is to analyze the use of Creativity by Dante Alighieri in modern popular culture. Dante Alighieri's \"Divine Comedy\" is actively exploited by modern mass culture. The reasons for the appeal of mass culture to this work are its saturation with vivid images, entertainment, saturation with archetypal images, which makes it possible for a wide audience to experience them. In the works of mass culture of a higher level, the appeal to \"The Divine Comedy\" attracts by the fact that it makes it possible to show the movement of the protagonist or civilization from suffering to happiness, from savagery and barbarism to harmony. Also from the works of Dante, the theme of hell and demonism is most actively borrowed. The idea of grotesque realism and (partly) feastful images make it possible to adequately interpret many works of modern mass culture. In the same way, it can be assumed that works devoted to the themes of hell, demonism and the otherworldly allows the consumer to go through a symbolic rebirth. Immersed in the world of fictional passions, frightened by eerie and grotesque images, the average resident of a globalized metropolis can return with renewed vigor to his ordinary life and daily duties.","PeriodicalId":149075,"journal":{"name":"The Bulletin of Yaroslav Mudryi National Law University. Series:Philosophy, philosophies of law, political science, sociology","volume":null,"pages":null},"PeriodicalIF":0.0000,"publicationDate":"2022-02-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"The Bulletin of Yaroslav Mudryi National Law University. Series:Philosophy, philosophies of law, political science, sociology","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.21564/2663-5704.52.250443","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
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Abstract

The purpose of this article is to analyze the use of Creativity by Dante Alighieri in modern popular culture. Dante Alighieri's "Divine Comedy" is actively exploited by modern mass culture. The reasons for the appeal of mass culture to this work are its saturation with vivid images, entertainment, saturation with archetypal images, which makes it possible for a wide audience to experience them. In the works of mass culture of a higher level, the appeal to "The Divine Comedy" attracts by the fact that it makes it possible to show the movement of the protagonist or civilization from suffering to happiness, from savagery and barbarism to harmony. Also from the works of Dante, the theme of hell and demonism is most actively borrowed. The idea of grotesque realism and (partly) feastful images make it possible to adequately interpret many works of modern mass culture. In the same way, it can be assumed that works devoted to the themes of hell, demonism and the otherworldly allows the consumer to go through a symbolic rebirth. Immersed in the world of fictional passions, frightened by eerie and grotesque images, the average resident of a globalized metropolis can return with renewed vigor to his ordinary life and daily duties.
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现代大众文化中的但丁
本文的目的是分析但丁在现代大众文化中对创造力的运用。但丁的《神曲》被现代大众文化积极利用。大众文化对这部作品的吸引力在于它的生动形象的饱和,娱乐性的,原型形象的饱和,这使得广泛的观众有可能体验到它们。在更高层次的大众文化作品中,对《神曲》的吸引力在于它可以表现主人公或文明从苦难到幸福、从野蛮到和谐的运动。同样从但丁的作品中,地狱和恶魔主义的主题是最活跃的借用。怪诞现实主义和(部分地)盛宴形象的思想使人们有可能充分地解释现代大众文化的许多作品。同样,我们可以假设,那些致力于地狱、恶魔主义和超凡脱俗主题的作品让消费者经历了象征性的重生。沉浸在虚构的激情世界中,被怪异怪诞的形象吓坏了,全球化大都市的普通居民可以以新的活力回到他的日常生活和日常职责中。
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