An Attempt to Examine Digital Native and Digital Immigrant Macau Graphic Designers' Perceptions of Adopting Generative Design

Ching Man Lau, C. Caires
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Abstract

The manifestation of generating digital visuals through an algorithm is gaining worldwide attention in the graphic design industry. It is a new form of computing that visualizes data input by the designer or collected in the physical environment and turns them into artwork. The generative design of ‘Macau Design Award 2019' was the first of its kind being adopted locally. This key visual design received mixed feedback in the field. There is concern that erroneous perceptions of such a new way of designing could detach Macau from the global design trend. The purpose of this paper, in the form of an exploratory case study combined with a survey, is to understand local graphic designers' perspectives of generative design. The authors want to examine how digital native and digital immigrant designers perceive the phenomenon and their degree of acceptance. The data were obtained through an online questionnaire shared with the Macau Designers Association members. UTAUT2 model was employed to analyse the main obstacles to their attitudes towards adopting generative design in their artwork.
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数字本地与数字移民对澳门平面设计师采用生成设计的看法之探讨
通过算法生成数字视觉的表现形式在平面设计行业受到了全世界的关注。这是一种新的计算形式,它将设计师输入的数据或在物理环境中收集的数据可视化,并将其转化为艺术品。“2019澳门设计大奖”的生成式设计是首个在本地采用的设计。这个关键的视觉设计在现场得到了不同的反馈。有人担心,对这种新设计方式的错误看法可能会使澳门脱离全球设计潮流。本文以探索性案例研究与调查相结合的形式,旨在了解本地平面设计师对生成设计的看法。作者想要研究数字原生和数字移民设计师如何看待这一现象以及他们的接受程度。这些数据是通过与澳门设计师协会会员共享的在线问卷获得的。UTAUT2模型被用来分析他们在艺术作品中采用生成设计的态度的主要障碍。
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