Movements of Languages and Territories of the Novel

L.G., E-G.
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Abstract

What gives one a predisposition towards writing is not being able to speak several languages but having a particular predisposition to one langage, which may exist in more than one language. Gauvin and Glissant discuss a film in which Israelis express their attitude to Hebrew as opposed to their mother tongues, such as German; Hebrew is an absolute language replacing other absolute languages, but we have to accept that today there are no absolute languages. True creolization is not merely the interpenetration of words but the entry of the systems of poetic images from one language into another. The novel comes about when communities need political narratives to define them; the Western novel relies on the belief that you can recount history and the world because you control it.
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语言运动与小说的疆域
让一个人有写作倾向的不是会说几种语言,而是对一种语言有特殊的倾向,这种倾向可能存在于多种语言中。高文和格利桑特讨论了一部电影,在这部电影中,以色列人表达了他们对希伯来语的态度,而不是他们的母语,比如德语;希伯来语是一种取代其他绝对语言的绝对语言,但我们必须接受今天没有绝对语言的事实。真正的克里奥尔化不仅仅是词语的相互渗透,而是诗歌意象系统从一种语言进入另一种语言。当社区需要政治叙事来定义他们时,小说就诞生了;西方小说依赖于这样一种信念:你可以叙述历史和世界,因为你控制着它。
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