Interpreting Information Visualization

Karolina Uggla
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Abstract

Information visualization has become a prevailing part of our visual culture, a research field, and a line of work for designers. The literature on information visualization is diverse, dominated by handbooks aimed at designers and illustrated surveys, sometimes with an emphasis on historical examples. This chapter makes a survey of the field of information visualization in order to map out and assess its analytical vocabulary. First, there is a need to refer to some different definitions and general concepts, such as the naming of phases in the visualization process, the naming of different visualization types, and their components. In order for scholars of human sciences to be able to identify, understand, and interpret information visualization as visual objects, some tools for suitable visual analysis of these objects would be useful. To meet this end, the chapter explores two particular interpretative frameworks. The first framework discusses social semiotics as an analytical tool. The second one analyzes the ethics and emotional appeal of information visualization.
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解读信息可视化
信息可视化已经成为我们视觉文化的一个主流部分,一个研究领域,以及设计师的一项工作。关于信息可视化的文献是多种多样的,主要是针对设计师的手册和插图调查,有时强调历史例子。本章对信息可视化领域进行了概述,以绘制和评估其分析词汇。首先,需要参考一些不同的定义和一般概念,例如可视化过程中阶段的命名、不同可视化类型的命名及其组件。为了使人文科学学者能够识别、理解和解释作为可视化对象的信息可视化,一些对这些对象进行适当的可视化分析的工具将是有用的。为了达到这个目的,本章探讨了两个特殊的解释框架。第一个框架讨论作为分析工具的社会符号学。第二部分分析了信息可视化的伦理与情感诉求。
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