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Digital Human Sciences: New Objects – New Approaches最新文献

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Revisiting the Human–Society–Technology Nexus: Intercultural Communication Studies as a Looking Glass for Scientific Self-Scrutiny in the Digital Human Sciences 重新审视人类-社会-技术关系:跨文化交际研究作为数字人文科学科学自我审视的一面镜子
Pub Date : 2021-06-08 DOI: 10.16993/BBK.C
J. Stier
This chapter starts from three assumptions: (1) that digital technologies (DTs) are products of humans, and reversibly that such technologies have effects on and consequences for humans; (2) that DTs have profound, long-term effects on culture and social interaction; and (3) that research on such effects often disregards inherent social and cultural biases in DTs and discourses on digitalization and innovation. DTs tend to be depicted as “objective” and void of cultural contents and underpinnings. Therefore, and with an emphasis on the usefulness of combining different research methodologies, this chapter sheds light upon a number of discursive blind spots in these domains: technocentrism and normativism, homo- and heterocentrism, ego- and ethnocentrism, and what I call the reversed problem imperative. Drawing upon intercultural communication studies (ICCS), these blind spots are discussed in the light of DTs, scientific theories, and research methodologies. Moreover, the case is made that digital human sciences (DHV) offers a valuable contribution to the scientific understanding of the manifestations and consequences of digitalization. In particular, this chapter argues for the usefulness of “intermethodological,” interdisciplinary, intercultural, and integrative approaches in DHV.
本章从三个假设开始:(1)数字技术(DTs)是人类的产品,并且这些技术可逆地对人类产生影响和后果;(2) DTs对文化和社会互动具有深远的、长期的影响;(3)对这种影响的研究往往忽视了数字化和创新话语中固有的社会和文化偏见。DTs往往被描述为“客观的”,缺乏文化内容和基础。因此,本章强调结合不同研究方法的有用性,阐明了这些领域中的一些话语盲点:技术中心主义和规范主义,同性恋和异性中心主义,自我中心主义和种族中心主义,以及我所说的颠倒问题的必要性。在跨文化交际研究(ICCS)的基础上,本文从传播理论、科学理论和研究方法的角度对这些盲点进行了讨论。此外,数字人文科学(DHV)为科学理解数字化的表现形式和后果提供了宝贵的贡献。特别地,本章论证了“跨方法”、跨学科、跨文化和综合方法在DHV中的作用。
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引用次数: 0
YouTube Podcasting, the New Orality, and Diversity of Thought: Intermediality, Media History, and Communication Theory as Methodological Approaches YouTube播客、新口头性和思想多样性:中间性、媒体史和作为方法论方法的传播理论
Pub Date : 2021-06-08 DOI: 10.16993/BBK.K
Christer Johansson
The chapter investigates a new kind of YouTube phenomenon, the extended dialogue podcast, by combining three transdisciplinary approaches: (1) an intermedial analysis, (2) a media-historical analysis, and (3) a communication-theoretical analysis. The objects of study are the YouTube shows The Joe Rogan Experience and Hur kan vi? (a Swedish version of Rogan’s show). The shows air live on YouTube, which means that they are inherently multimodal, combining sound, moving images, occasional expositions of websites, and the viewers’ written commentaries. The shows are characterized by a strong emphasis on dialogue between the hosts and the invited guests, and by an extended duration, sometimes spanning over three hours of talk. Both shows are politically controversial, since the intention behind them is to challenge political correctness and self-censorship in mainstream media and public discourse. In order to understand the shows as digital objects, the chapter analyzes their specific mix of medialities and modalities. To understand them as historical phenomena, the chapter investigates how the shows relate to earlier media types, focusing on orality and its relation to literacy. And, finally, to understand the shows as political agents, their role in contemporary debates on media, power, and knowledge is the target of analysis.
本章研究了一种新的YouTube现象,即扩展对话播客,通过结合三种跨学科方法:(1)中间分析,(2)媒体历史分析,(3)传播理论分析。研究对象是YouTube上的节目《Joe Rogan Experience》和《Hur kan vi?》(罗根节目的瑞典版)。这些节目在YouTube上直播,这意味着它们本质上是多模式的,结合了声音、动态图像、偶尔的网站展示和观众的书面评论。这些节目的特点是非常强调主持人和受邀嘉宾之间的对话,并且持续时间很长,有时谈话超过三个小时。这两部剧在政治上都有争议,因为它们背后的意图是挑战主流媒体和公共话语中的政治正确和自我审查。为了理解作为数字对象的表演,本章分析了它们具体的媒介和形式组合。为了把它们理解为历史现象,本章调查了这些节目与早期媒体类型的关系,重点是口语及其与识字的关系。最后,为了理解这些节目作为政治媒介,它们在当代关于媒体、权力和知识的辩论中的作用是分析的目标。
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引用次数: 0
Not a Mirror, but an Engine: Digital Methods for Contextual Analysis of “Social Big Data” 不是镜子,而是引擎:“社交大数据”语境分析的数字化方法
Pub Date : 2021-06-08 DOI: 10.16993/BBK.B
Jonas Andersson Schwarz
Digital media infrastructures give rise to texts that are socially interconnected in various forms of complex networks. These mediated phenomena can be analyzed through methods that trace relational data. Social network analysis (SNA) traces interconnections between social nodes, while natural language processing (NLP) traces intralinguistic properties of the text. These methods can be bracketed under the header “social big data.” Empirical and theoretical rigor begs a constructionist understanding of such data. Analysis is inherently perspective-bound; it is rarely a purely objective statistical exercise. Some kind of selection is always made, primarily out of practical necessity. Moreover, the agents observed (network participants producing the texts in question) all tend to make their own encodings, based on observational inferences, situated in the network topology. Recent developments in such methods have, for example, provided social scientific scholars with innovative means to address inconsistencies in comparative surveys in different languages, addressing issues of comparability and measurement equivalence. NLP provides novel, inductive ways of understanding word meanings as a function of their relational placement in syntagmatic and paradigmatic relations, thereby identifying biases in the relative meanings of words. Reflecting on current research projects, the chapter addresses key epistemological challenges in order to improve contextual understanding.
数字媒体基础设施产生了以各种形式的复杂网络在社会上相互联系的文本。这些中介现象可以通过跟踪关系数据的方法进行分析。社会网络分析(SNA)追踪社会节点之间的相互联系,而自然语言处理(NLP)追踪文本的语言内部属性。这些方法可以放在“社交大数据”的标题下。经验和理论的严谨性要求对这些数据有一个建构主义的理解。分析本质上是受视角限制的;它很少是纯粹客观的统计工作。人们总是做出某种选择,主要是出于实际需要。此外,观察到的代理(产生问题文本的网络参与者)都倾向于根据位于网络拓扑中的观察推断进行自己的编码。例如,这些方法的最新发展为社会科学学者提供了创新的手段,以解决不同语言比较调查中的不一致之处,解决可比性和计量等值问题。NLP提供了一种新颖的、归纳的方式来理解词义,作为它们在组合和聚合关系中的关系位置的功能,从而识别单词相对意义中的偏差。反映当前的研究项目,本章解决了关键的认识论挑战,以提高上下文理解。
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引用次数: 0
Interpreting Information Visualization 解读信息可视化
Pub Date : 2021-06-08 DOI: 10.16993/BBK.E
Karolina Uggla
Information visualization has become a prevailing part of our visual culture, a research field, and a line of work for designers. The literature on information visualization is diverse, dominated by handbooks aimed at designers and illustrated surveys, sometimes with an emphasis on historical examples. This chapter makes a survey of the field of information visualization in order to map out and assess its analytical vocabulary. First, there is a need to refer to some different definitions and general concepts, such as the naming of phases in the visualization process, the naming of different visualization types, and their components. In order for scholars of human sciences to be able to identify, understand, and interpret information visualization as visual objects, some tools for suitable visual analysis of these objects would be useful. To meet this end, the chapter explores two particular interpretative frameworks. The first framework discusses social semiotics as an analytical tool. The second one analyzes the ethics and emotional appeal of information visualization.
信息可视化已经成为我们视觉文化的一个主流部分,一个研究领域,以及设计师的一项工作。关于信息可视化的文献是多种多样的,主要是针对设计师的手册和插图调查,有时强调历史例子。本章对信息可视化领域进行了概述,以绘制和评估其分析词汇。首先,需要参考一些不同的定义和一般概念,例如可视化过程中阶段的命名、不同可视化类型的命名及其组件。为了使人文科学学者能够识别、理解和解释作为可视化对象的信息可视化,一些对这些对象进行适当的可视化分析的工具将是有用的。为了达到这个目的,本章探讨了两个特殊的解释框架。第一个框架讨论作为分析工具的社会符号学。第二部分分析了信息可视化的伦理与情感诉求。
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引用次数: 0
Mining Art History: Bulk Converting Nonstandard PDFs to Text to Determine the Frequency of Citations and Key Terms in Humanities Articles 挖掘艺术史:将非标准pdf文件批量转换为文本以确定人文学科文章中引文和关键术语的频率
Pub Date : 2021-06-08 DOI: 10.16993/BBK.L
A. Wasielewski, A. Dahlgren
Text mining in art history scholarship can tell us about the discipline itself, as well as artistic concerns at any given moment. The aim of this study is to develop and test a strategy for text mining from PDFs of journal articles that have nonstandard formatting and/or use notes rather than full bibliographies for references. While articles in the natural and social sciences typically adhere to standard formats, art history journals employ a variety of formatting styles that make bulk capture of citation and other textual data from the articles challenging. This study outlines a method by which researchers can extract data from journals articles, using a sample set from art history. Once extracted, the data from PDFs can be used to compare frequently used terms across samples and determine which scholars are most cited in either bibliographies or the main body text of articles. If the structure and layout of individual journals are carefully considered and the data is properly cleaned, a clear picture of the disciplinary influences and dependencies of the scholarship through citations and key terms can be obtained.
艺术史研究中的文本挖掘可以告诉我们学科本身,以及任何特定时刻的艺术关注点。本研究的目的是开发和测试一种策略,用于从非标准格式和/或使用注释而不是完整参考书目的期刊文章的pdf中挖掘文本。虽然自然科学和社会科学的文章通常遵循标准格式,但艺术史期刊采用各种格式风格,这使得从文章中大量捕获引文和其他文本数据具有挑战性。本研究概述了一种方法,通过该方法,研究人员可以从期刊文章中提取数据,使用艺术史的样本集。一旦从pdf文件中提取数据,就可以用来比较样本中常用的术语,并确定哪些学者在参考书目或文章的主体文本中被引用最多。如果仔细考虑单个期刊的结构和布局,并对数据进行适当的清理,就可以通过引用和关键术语清楚地了解该奖学金的学科影响和依赖性。
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引用次数: 0
Teleoptical Perspectives on Digital Methods: Scientific Claims and Consequences 数字方法的远程光学观点:科学主张和后果
Pub Date : 2021-06-08 DOI: 10.16993/BBK.D
Julia Pennlert, Björn Ekström, David Gunnarsson Lorentzen
Computer-assisted tools have introduced new ways to conduct research in the social sciences and the humanities. Digital methods, as an umbrella term for this line of methodology, have presented new vocabularies that affect research communities from different disciplines. The aim of this chapter is to discuss how digital methods can be understood and scrutinized as procedures of collecting, analyzing, visualizing, and interpreting born-digital and digitized material. We aim to problematize how the embracing of digital methods in the research process paves the way for certain knowledge claims. By adopting a teleoptical metaphor in order to scrutinize three case studies, our aim is to discuss the limitations and the possibilities for digital methods as a way of conducting science and research. The contribution addresses how and to what extent digital methods direct the researcher’s gaze toward particular focal points.
计算机辅助工具为社会科学和人文科学的研究引入了新的方法。数字方法,作为这一系列方法论的总称,已经提出了影响不同学科研究界的新词汇。本章的目的是讨论如何理解和审查数字方法作为收集、分析、可视化和解释原生数字和数字化材料的程序。我们的目标是提出在研究过程中采用数字方法如何为某些知识主张铺平道路的问题。通过采用远光学的比喻来仔细研究三个案例,我们的目的是讨论数字方法作为一种进行科学和研究的方式的局限性和可能性。该贡献解决了数字方法如何以及在多大程度上引导研究人员的目光转向特定的焦点。
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引用次数: 0
Be Careful What You Wish For! Learning Analytics and the Emergence of Data-Driven Practices in Higher Education 小心你的愿望!学习分析和高等教育中数据驱动实践的出现
Pub Date : 2021-06-08 DOI: 10.16993/BBK.I
T. Cerratto Pargman, C. McGrath
With the growing digitalization of the education sector, the availability of significant amounts of data, “big data,” creates possibilities for the use of artificial intelligence technologies to gain valuable insight into how students learn in higher education. Learning analytics technologies are examples of how deep learning algorithms can identify patterns in data and incorporate this “knowledge” into a model that is eventually integrated into the digital platforms used for interacting with students. This chapter introduces learning analytics as an emerging sociotechnical phenomenon in higher education. We situate the promises and expectations associated with learning analytics technologies, map their ties to emerging data-driven practices, and unpack the ethical concerns that are related to such practices via examples.Following this, we discuss three insights that we hope will provoke discussions among educators, researchers, and practitioners in higher education: (1) educational data-driven practices are highly context sensitive, (2) educational data-driven practices are not synonymous with evidence-based practices, and (3) innovative educational data-driven practices are not sustainable per se. This chapter calls for debating the role of emerging data-driven practices in higher education in relation to academic freedom and educational values embedded in critical pedagogy.
随着教育部门的数字化程度不断提高,大量数据的可用性,即“大数据”,为使用人工智能技术获得有关学生在高等教育中如何学习的宝贵见解创造了可能性。学习分析技术是深度学习算法如何识别数据模式并将这些“知识”整合到模型中的例子,该模型最终集成到用于与学生互动的数字平台中。本章介绍了作为高等教育新兴社会技术现象的学习分析。我们定位了与学习分析技术相关的承诺和期望,绘制了它们与新兴数据驱动实践的关系,并通过示例解开了与此类实践相关的伦理问题。在此之后,我们讨论了三个见解,我们希望能引起高等教育教育者、研究人员和从业者之间的讨论:(1)教育数据驱动实践对环境高度敏感;(2)教育数据驱动实践与循证实践不是同义词;(3)创新的教育数据驱动实践本身是不可持续的。本章呼吁讨论新兴的数据驱动实践在高等教育中与学术自由和批判性教学法中嵌入的教育价值观有关的作用。
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引用次数: 3
Introduction: Digital Human Sciences as a Field of Research 引言:数字人文科学作为一个研究领域
Pub Date : 2021-06-08 DOI: 10.16993/BBK.A
Sonya Petersson, U. Fors
What is meant by “digital human sciences,” what types of research objects and topics does it circumscribe, and how does it overlap with or depart from related fields of research? This chapter introduces the digital human sciences as a new field of study, distinguishes it from the digital humanities, and discusses its multidisciplinary character.
“数字人文科学”是什么意思,它限定了哪些类型的研究对象和主题,它如何与相关研究领域重叠或偏离?本章介绍了数字人文科学作为一个新的研究领域,并将其与数字人文学科进行了区分,讨论了数字人文学科的多学科特征。
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引用次数: 0
The Growing Pains of Digital Art History: Issues for the Study of Art Using Computational Methods 数字艺术史的成长烦恼:用计算方法研究艺术的问题
Pub Date : 2021-06-08 DOI: 10.16993/BBK.F
A. Wasielewski
Digital methodologies that revolve around the study of text have become popular in humanities disciplines such as literature and history. The potential for studying large groups of text automatically through techniques like text mining has meant that Franco Moretti’s “distant reading” has found more and more proponents. Art history, however, presents some unique barriers to uptake in computational techniques, not least the resistance of art historians, who have raised legitimate concerns about the relevance of such techniques. Many so-called “digital art history” projects focus only on formal characteristics while ignoring context, which does not reflect the nature of art historical study in the last 60 years. The technical challenges of using digital methodologies in the study of art and visual culture have limited the potential benefits of such techniques as well: the methodologies used for images are more complex than text recognition and there is simply not enough preexisting data that needs to be sorted in this way.
围绕文本研究的数字方法在文学和历史等人文学科中非常流行。通过文本挖掘等技术自动研究大量文本的潜力意味着佛朗哥·莫雷蒂的“远程阅读”得到了越来越多的支持者。然而,艺术史对计算机技术的吸收提出了一些独特的障碍,尤其是艺术史学家的抵制,他们对这些技术的相关性提出了合理的担忧。许多所谓的“数字艺术史”项目只注重形式特征,而忽略了语境,这并不能反映近60年来艺术史研究的本质。在艺术和视觉文化研究中使用数字方法的技术挑战也限制了这些技术的潜在好处:用于图像识别的方法比文本识别更复杂,而且根本没有足够的预先存在的数据需要以这种方式进行分类。
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引用次数: 0
Legal AI from a Privacy Point of View: Data Protection and Transparency in Focus 从隐私角度看法律人工智能:数据保护和透明度的焦点
Pub Date : 2021-06-08 DOI: 10.16993/BBK.H
Cecilia Magnusson Sjöberg
A major starting point is that transparency is a condition for privacy in the context of personal data processing, especially when based on artificial intelligence (AI) methods. A major keyword here is openness, which however is not equivalent to transparency. This is explained by the fact that an organization may very well be governed by principles of openness but still not provide transparency due to insufficient access rights and lacking implementation of those rights. Given these hypotheses, the chapter investigates and illuminates ways forward in recognition of algorithms, machine learning, and big data as critical success factors of personal data processing based on AI—that is, if privacy is to be preserved. In these circumstances, autonomy of technology calls for attention and needs to be challenged from a variety of perspectives. Not least, a legal approach to digital human sciences appears to be a resource to examine further. This applies, for instance, when data subjects in the public as well as in the private sphere are exposed to AI for better or for worse. Providing what may be referred to as a legal shield between user and application might be one remedy to shortcomings in this context.
一个主要的出发点是,在个人数据处理的背景下,透明度是隐私的一个条件,尤其是在基于人工智能(AI)方法的情况下。这里的关键词是开放,但这并不等同于透明。这可以用这样一个事实来解释,即一个组织可能很好地遵循开放原则,但由于访问权利不足和缺乏对这些权利的实施,仍然无法提供透明度。鉴于这些假设,本章调查并阐明了识别算法、机器学习和大数据的方法,这些方法是基于人工智能的个人数据处理的关键成功因素——也就是说,如果要保护隐私。在这种情况下,技术的自主性需要引起人们的注意,需要从各种角度对其提出挑战。尤其重要的是,数字人文科学的法律途径似乎是进一步研究的资源。例如,当公共领域和私人领域的数据主体无论好坏都暴露于人工智能时,这一点都适用。在用户和应用程序之间提供所谓的法律屏障可能是对这方面缺陷的一种补救措施。
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引用次数: 0
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Digital Human Sciences: New Objects – New Approaches
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