TREE IMAGE OF SIBERIA: LARCH

T. Bogumil
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Abstract

The dendroimage image of Siberia is considered in the context of geopoetics and ethnodendrology. For the first time the proposed analysis systematizes the motives associated with the image of larch, one of the main trees in the region. The research materials are scientific works on ethnography and folklore studies, Russian and Russian-language fiction about Siberia written in the XIX-XX centuries. The name of the tree reflects its dual status: coniferous and deciduous simultaneously. The “gender” of the larch is also indeterminate: male / female. The larch has an «intermediate» position in the system of the most important dendroimages of the Siberian text: between cedar and birch. It can be associated with universal tree mythologemes (World Tree, Tree of Life and Death, family tree, etc.), but it most clearly embodies the basic concept of Siberia as a space of violence, hard labor, exile, concentration camps.
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西伯利亚的树木图像:落叶松
西伯利亚的树象图像是在地学和人种学的背景下考虑的。该分析首次将落叶松(该地区的主要树木之一)图像相关的动机系统化。研究资料是关于民族志和民俗学研究的科学著作,以及19 - 20世纪写的关于西伯利亚的俄语和俄语小说。这种树的名字反映了它的双重身份:同时是针叶树和落叶树。落叶松的“性别”也是不确定的:雄性/雌性。落叶松在西伯利亚文本中最重要的树木图像系统中处于“中间”位置:介于雪松和桦树之间。它可以与普遍的树木神话(世界树,生与死之树,家谱等)联系在一起,但它最清楚地体现了西伯利亚作为暴力,艰苦劳动,流放,集中营空间的基本概念。
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