{"title":"The Hexachord","authors":"K. Clark, A. Markwick","doi":"10.1093/oso/9780190913335.003.0012","DOIUrl":null,"url":null,"abstract":"In Chapter 12, we present the three primary hexachords used in the Renaissance, plus basic advice on how to apply them to the music. We also consider Martin Agricola’s suggestion that the six different hexachord syllables had distinctive intrinsic qualities, which could open up new expressive possibilities for the more advanced musician approaching renaissance music.","PeriodicalId":309062,"journal":{"name":"The Renaissance Flute","volume":null,"pages":null},"PeriodicalIF":0.0000,"publicationDate":"2020-07-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"The Renaissance Flute","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1093/oso/9780190913335.003.0012","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
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Abstract
In Chapter 12, we present the three primary hexachords used in the Renaissance, plus basic advice on how to apply them to the music. We also consider Martin Agricola’s suggestion that the six different hexachord syllables had distinctive intrinsic qualities, which could open up new expressive possibilities for the more advanced musician approaching renaissance music.
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