Pub Date : 2020-07-16DOI: 10.1093/oso/9780190913335.003.0006
K. Clark, A. Markwick
Chapter 6 is a guide to finding the renaissance music available for flutists to play. This chapter introduces the most common vocal and instrumental genres flutists will encounter, and offers practical advice on where to find music in both online resources and libraries. It also identifies good editions for purchase. Finally, we explain the editorial choices we made in the preparation of our editions in Chapters 7–10.
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Pub Date : 2020-07-16DOI: 10.1093/oso/9780190913335.003.0012
K. Clark, A. Markwick
In Chapter 12, we present the three primary hexachords used in the Renaissance, plus basic advice on how to apply them to the music. We also consider Martin Agricola’s suggestion that the six different hexachord syllables had distinctive intrinsic qualities, which could open up new expressive possibilities for the more advanced musician approaching renaissance music.
{"title":"The Hexachord","authors":"K. Clark, A. Markwick","doi":"10.1093/oso/9780190913335.003.0012","DOIUrl":"https://doi.org/10.1093/oso/9780190913335.003.0012","url":null,"abstract":"In Chapter 12, we present the three primary hexachords used in the Renaissance, plus basic advice on how to apply them to the music. We also consider Martin Agricola’s suggestion that the six different hexachord syllables had distinctive intrinsic qualities, which could open up new expressive possibilities for the more advanced musician approaching renaissance music.","PeriodicalId":309062,"journal":{"name":"The Renaissance Flute","volume":"26 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-07-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132906640","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-07-16DOI: 10.1093/oso/9780190913335.003.0004
K. Clark, A. Markwick
Chapter 4 covers aspects of playing that become important in the ensemble context, in particular, tuning within the flute consort including practical tips on how to recognize and play pure intervals, temperaments used by the polyphonic instruments (spinets, lutes, and harps) with which flutes are sometimes paired, and possible combinations of flutes with other melody instruments. Finally, this chapter addresses transposition—whether for reasons of necessity or preference—in the flute consort setting.
{"title":"Playing Together","authors":"K. Clark, A. Markwick","doi":"10.1093/oso/9780190913335.003.0004","DOIUrl":"https://doi.org/10.1093/oso/9780190913335.003.0004","url":null,"abstract":"Chapter 4 covers aspects of playing that become important in the ensemble context, in particular, tuning within the flute consort including practical tips on how to recognize and play pure intervals, temperaments used by the polyphonic instruments (spinets, lutes, and harps) with which flutes are sometimes paired, and possible combinations of flutes with other melody instruments. Finally, this chapter addresses transposition—whether for reasons of necessity or preference—in the flute consort setting.","PeriodicalId":309062,"journal":{"name":"The Renaissance Flute","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-07-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131005256","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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