YouTube Podcasting, the New Orality, and Diversity of Thought: Intermediality, Media History, and Communication Theory as Methodological Approaches

Christer Johansson
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Abstract

The chapter investigates a new kind of YouTube phenomenon, the extended dialogue podcast, by combining three transdisciplinary approaches: (1) an intermedial analysis, (2) a media-historical analysis, and (3) a communication-theoretical analysis. The objects of study are the YouTube shows The Joe Rogan Experience and Hur kan vi? (a Swedish version of Rogan’s show). The shows air live on YouTube, which means that they are inherently multimodal, combining sound, moving images, occasional expositions of websites, and the viewers’ written commentaries. The shows are characterized by a strong emphasis on dialogue between the hosts and the invited guests, and by an extended duration, sometimes spanning over three hours of talk. Both shows are politically controversial, since the intention behind them is to challenge political correctness and self-censorship in mainstream media and public discourse. In order to understand the shows as digital objects, the chapter analyzes their specific mix of medialities and modalities. To understand them as historical phenomena, the chapter investigates how the shows relate to earlier media types, focusing on orality and its relation to literacy. And, finally, to understand the shows as political agents, their role in contemporary debates on media, power, and knowledge is the target of analysis.
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YouTube播客、新口头性和思想多样性:中间性、媒体史和作为方法论方法的传播理论
本章研究了一种新的YouTube现象,即扩展对话播客,通过结合三种跨学科方法:(1)中间分析,(2)媒体历史分析,(3)传播理论分析。研究对象是YouTube上的节目《Joe Rogan Experience》和《Hur kan vi?》(罗根节目的瑞典版)。这些节目在YouTube上直播,这意味着它们本质上是多模式的,结合了声音、动态图像、偶尔的网站展示和观众的书面评论。这些节目的特点是非常强调主持人和受邀嘉宾之间的对话,并且持续时间很长,有时谈话超过三个小时。这两部剧在政治上都有争议,因为它们背后的意图是挑战主流媒体和公共话语中的政治正确和自我审查。为了理解作为数字对象的表演,本章分析了它们具体的媒介和形式组合。为了把它们理解为历史现象,本章调查了这些节目与早期媒体类型的关系,重点是口语及其与识字的关系。最后,为了理解这些节目作为政治媒介,它们在当代关于媒体、权力和知识的辩论中的作用是分析的目标。
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