Cheminer vers la littérature patrimoniale grâce aux oeuvres « mythographiantes »

Thierry Poyet
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Abstract

How are the two literatures – the classic, the heritage, the scholarly versus the children’s literature, the overly easy editorial productions – much less opposed in reality than one might think? How can a real complementarity exist between literatures which will perhaps never be patrimonial but which can become school and the “great” literature? We will show how the reading of mythographic works seeks to design a teaching which makes the encounter with the book a triple opportunity for enrichment: to be moved, to escape, to learn. We will show how the reading of mythographic works seeks to design a teaching which makes the encounter with the book a triple opportunity for enrichment: to be moved, to escape, to learn. By taking into account the requirements of the time and the need for the school not to operate apart from opinions and practices, by a literature and a reading which accept to be useful for something, the French course must make sense by offering a new culture which is first and foremost a culture of oneself. It is first of all to show a living classical literature.
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通过“神话”作品走向遗产文学
这两种文学——经典的,传统的,学术的和儿童文学的,过于简单的编辑作品——在现实中为什么没有人们想象的那么对立?文学也许永远不会是世袭的,但它可以成为学派和“伟大的”文学之间如何存在真正的互补?我们将展示神话作品的阅读如何寻求设计一种教学,使与书的接触成为丰富的三重机会:被感动,逃避,学习。我们将展示神话作品的阅读如何寻求设计一种教学,使与书的接触成为丰富的三重机会:被感动,逃避,学习。考虑到时代的要求和学校不能脱离观点和实践的需要,考虑到文学和阅读被认为是有用的,法语课程必须通过提供一种新的文化而有意义,这种文化首先是一种自我的文化。它首先表现的是一种鲜活的古典文学。
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