Ideas of Humanism in European and Iranian Cultural Traditions (On the Example of Iranian Cinema)

V. Didenko, I. Starovoytova, Tahereh Solgi
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Abstract

Cinema as a means of communication does not have sufficient direct interactivity, bright audiovisual means of cinema have a suggestive effect on the viewer, making cinema an influential means of promoting ideas and values. Postmodern culture is characterized by the rejection of authority, the denial of cultural norms and traditions. The problem of preserving traditional spiritual and moral values becomes relevant in the context of the global civilizational crisis. The article deals with insufficiently studied issues of the embodiment and evolution of the idea of humanism in the European and Iranian cultural traditions. It is shown that the Islamic concept of humanism, humanity is based on religiosity. The content and value aspects of the movies of the leading directors of modern Iranian cinema (M. Majidi, A. Farhadi, R. Mirkarimi) are analyzed in this context. The connection between the state policy in the field of culture and the vector direction in the development of Iranian cinematography, which is the dissemination of ideas and values of humanism, is traced. The article may be of interest to researchers of the history of cinema, culturologists, managers in the field of culture.
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欧洲与伊朗文化传统中的人文主义思想(以伊朗电影为例)
电影作为一种传播手段没有足够的直接互动性,电影明亮的视听手段对观众有暗示作用,使电影成为一种有影响力的传播思想和价值观的手段。后现代文化的特点是拒绝权威,拒绝文化规范和传统。在全球文明危机的背景下,保护传统精神和道德价值的问题变得十分重要。本文讨论了欧洲和伊朗文化传统中人文主义思想的体现和演变等尚未得到充分研究的问题。这表明伊斯兰教的人本主义、人性观是以宗教性为基础的。在此背景下,对现代伊朗电影的主要导演(M. Majidi, A. Farhadi, R. Mirkarimi)的电影内容和价值方面进行了分析。文章指出,国家在文化领域的政策与伊朗电影发展的方向之间的联系,即传播人文主义思想和价值观。这篇文章可能会引起电影史研究者、文化学家、文化领域管理者的兴趣。
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