Gender Representation in New Media Through Global Calendar Photographs

Zaliha Inci Karabacak, Özlen Özgen
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Abstract

New media that enables access to more people is a preferred platform by Lavazza for bringing together consumers from all around the world within the framework of coffee culture by means of photography. Lavazza calendar photos (1993-2012) have been analysed using Dyer's non-verbal communication means and lines of appeal under the following headings: “Sexually Highlighted Female Body in Lavazza Calendar Photos,” “Different Sexual Orientations as Secondary Emphasis of Lavazza Calendar Photos,” “Idealized Body Look of Models of Lavazza Calendars,” “Roles of Women and Men in Family in Lavazza Calendar Photos,” “Queens and Superheroines in Lavazza Calendars,” “Widespread Representation of White Race in Lavazza Calendar Photos,” “Italian Cities and Italian Local and National Items in Lavazza Calendars,” “Signs of Different Geography, Culture and Life Styles in Lavazza Calendar Photos,” and “Lines of Appeal in Lavazza Calendar Photos.” According to the findings, both non-verbal means of communication in terms of gender and lines of appeal in Lavazza calendar photos in new media have changed over the years.
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从全球日历照片看新媒体中的性别表现
能够接触到更多人的新媒体是Lavazza首选的平台,通过摄影将世界各地的消费者聚集在咖啡文化的框架内。使用戴尔的非语言沟通手段和诉求线对Lavazza日历照片(1993-2012)进行了分析,标题如下:“Lavazza日历照片中性感突出的女性身体”,“Lavazza日历照片中次要强调的不同性取向”,“Lavazza日历照片中模特的理想身体外观”,“Lavazza日历照片中女性和男性在家庭中的角色”,“Lavazza日历中的女王和超级英雄”,“Lavazza日历照片中白人种族的广泛代表”,“Lavazza日历中的意大利城市和意大利地方和国家项目”,“Lavazza日历照片中不同地理、文化和生活方式的标志”和“Lavazza日历照片中的诉求线”。根据研究结果,Lavazza日历照片在新媒体上的性别和吸引力方面的非语言沟通方式都发生了变化。
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