Back to the Future: Time Traveling to 1942

Elena Tajima Creef
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Abstract

Japanese new media artist Masaki Fujihata's exhibition and groundbreaking accompanying public augmented reality (AR) installation “BeHere/1942: A New Lens on the Japanese American Incarceration” remind us that even after eighty years, the ghost life of World War II Japanese American internment continues to haunt us. “BeHere/1942” revisits the War Relocation Authority's photographic history of the Japanese American incarceration experience using digital technology, including AR, which allows contemporary spectators to immerse themselves in the events of “relocation day” in the spring of 1942. Fujihata provides a new way of seeing, remembering, and experiencing photographs of the Japanese American wartime past in the present—empowered with contemporary media tools that are distinctly from what he calls “our own time”: AR.
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回到未来:穿越到1942年
日本新媒体艺术家藤畑正明(Masaki Fujihata)的展览和开创性的公共增强现实(AR)装置“BeHere/1942:日裔美国人监禁的新镜头”提醒我们,即使在八十年后,二战期间日裔美国人被监禁的幽灵生活仍然困扰着我们。“在这里/1942”利用包括AR在内的数字技术,重新审视了战争重新安置管理局关于日裔美国人监禁经历的摄影历史,让当代观众沉浸在1942年春天的“重新安置日”事件中。藤畑宏提供了一种观看、记忆和体验日裔美国人战时照片的新方式——借助当代媒体工具,这些工具与他所谓的“我们自己的时代”截然不同:AR。
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