PROJECT ACTIVITY OF THE CULTURAL INDUSTRY: NEW SOCIOLOGICAL APPROACHES

N. Malshina, I. Kamenskaya
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Abstract

The project activity of the cultural industry can be considered as an integrative indicator of the entire social system, capable of controlling individual subsystems, such as financial, behavioral and semantic ones. The cultural system, which serves as an intermediary in the structure of the social system, is easily transferred from one subsystem to another, and with the help of training and socialization – from one personality system to another. The symbolic nature of culture gives it the ability to control other systems of action. The application of the modeling method within the framework of the sociological approach to the Russian cultural industry allows us to form a general model of the cultural industry. The use of tools of sociological analysis of the audience to understand its needs and cultural values helps to build correlations with both the production of a cultural product and its implementation. At the same time, the survey of the target audience should not be of an evaluative nature, but should proceed from the analysis of problems of concern to consumers of culture, as well as assistance in solving them by modern cultural institutions. The study of the target audience by means of sociological analysis will modernize the activities of cultural organizations, make it more effective, help both in the preparation of individual projects and in the process of ongoing activities.
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文化产业的项目活动:新的社会学方法
文化产业的项目活动可以看作是整个社会系统的综合指标,能够控制单个子系统,如金融、行为和语义子系统。文化系统作为社会系统结构的中介,很容易从一个子系统转移到另一个子系统,并借助于训练和社会化——从一个人格系统转移到另一个人格系统。文化的象征性质赋予它控制其他行为系统的能力。将社会学方法框架内的建模方法应用于俄罗斯文化产业,使我们能够形成一个文化产业的一般模型。使用受众的社会学分析工具来了解其需求和文化价值,有助于建立与文化产品生产及其实施的相关性。同时,对目标受众的调查不应该是评价性质的,而应该从分析文化消费者关心的问题以及现代文化机构协助解决这些问题开始。通过社会学分析对目标受众的研究将使文化组织的活动现代化,使其更有效,有助于拟订个别项目和正在进行的活动的过程。
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