Twisting and Spinning from Symbols to Signs

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Abstract

The Inca khipus—the principal record-keeping device used for administrative and narrative records in the Inca Empire—is usually thought of in terms of its display of signs (e.g., cord groups and color differences denoting categories of objects; knot clusters signifying decimal values). In this chapter, however, it is argued that both in their materiality, which in a few cases includes iconography, and in the elaborate displays of khipus by the cord-keepers (the khipukamayuqs) during cord-reading performances, there were numerous symbolic elements at play as well. This description and analysis of signs and symbols in khipus and khipu-reading performances provides the setting for comments on the relationship between signs and symbols in pre-Columbian Andean art and material culture more generally.
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从一个符号到另一个符号的扭曲和旋转
印加希普斯——印加帝国用于行政和叙事记录的主要记录设备——通常被认为是根据其显示符号(例如,表示物体类别的绳组和颜色差异;表示十进制值的结簇)。然而,在本章中,我们认为,无论是在它们的物质性上,在少数情况下包括图像学,还是在读线表演中,在看守人(khipukamayuqs)精心展示的khipus中,也有许多象征性的元素在起作用。这种对克普斯和克普阅读表演中符号和符号的描述和分析,为更广泛地评论前哥伦布时期安第斯艺术和物质文化中符号和符号之间的关系提供了背景。
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