Conclusions and Test Cases

Virginia M. Lewis
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Abstract

Chapter 5 explores the odes for Psaumis of Kamarina and Ergoteles of Himera. After a brief survey of the history of the two cities and the cultural context for the poems, the chapter then argues that Psaumis and Ergoteles offer contrasting examples of the way that Pindar mitigates the status of hybrid citizens in Sicily by writing the victors themselves into their local landscapes and civic ideology that is bound to the landscape. As examples of an immigrant (Ergoteles) and, at least possibly, a Greek of Sikel ethnicity (Psaumis), Ergoteles and Psaumis contrast with the tyrants Hieron and Theron. The poet, it suggests, emphasizes Psaumis’ control of both the landscape and cityscape of Kamarina in Olympian 4 and Olympian 5 and converts him into a quasi-mythical benefactor of the city. On the other hand, Ergoteles, an exiled Cretan, is integrated into the civic fabric of Himera through a bath in the hot springs of the Nymphs. This chapter proposes that Pindar’s emphasis on landscape in the Sicilian odes is a feature that transcends the divide between tyrant and non-tyrant victors. As in the odes for Syracusans and Akragantines, local landscapes in the odes for Kamarina and Himera participate in the formation of civic traditions. It argues, however, that in the cases of odes for victors who are themselves establishing their civic status the victor himself becomes affiliated with the local landscape through Pindar’s poetry.
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结论和测试用例
第五章探讨了卡玛琳娜的普索米斯和希米拉的埃尔格特莱斯的颂歌。在对这两个城市的历史和诗歌的文化背景进行了简短的调查之后,本章认为Psaumis和Ergoteles提供了对比鲜明的例子,说明品达通过将胜利者自己写进当地的风景和与风景相联系的公民意识形态,来减轻西西里混血人公民的地位。作为移民的例子(Ergoteles),至少可能是西克尔族的希腊人(Psaumis), Ergoteles和Psaumis与暴君希伦(Hieron)和塞隆(Theron)形成对比。它表明,诗人强调了帕索米斯在《奥林匹斯》第4章和第5章中对卡玛里纳的景观和城市景观的控制,并把他变成了一个准神话般的城市恩人。另一方面,Ergoteles,一个被流放的克里特人,通过在仙女的温泉里洗澡,融入了希美拉的城市结构。本章提出品达在西西里颂歌中对风景的强调是一种超越暴君和非暴君胜利者之间鸿沟的特征。就像叙拉古人和阿克拉甘蒂人的颂歌一样,卡玛丽娜和希米拉颂歌中的当地景观参与了公民传统的形成。然而,它认为,在歌颂胜利者的颂诗中他们建立了自己的公民地位胜利者自己通过品达的诗歌与当地的风景联系在一起。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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