“The First White Mother in America” Guðríðr Þorbjarnardóttir, Popular History, Firsting, and White Feminism

Christopher Crocker
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Abstract

This article takes Ásmundur Sveinsson’s statue "The First White Mother in America" as a starting point. With reference to this work, its several later casts, and three illustrative examples from recent popular history writing, the article demonstrates how popular representations of the statue's subject, Guðríðr Þorbjarnardóttir, frequently reinforce traditions rooted in racially exclusive historical standards and Indigenous erasure. While Guðríðr’s story offers a valuable counterpoint to male-dominated and often hyper-violent images of “Viking” history, writers and other popular history purveyors depicting her story also run the risk of simultaneously reinforcing settler-colonial and white supremacist ideals regardless of their individual motives.
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“美国第一位白人母亲”Guðríðr Þorbjarnardóttir,通俗历史,第一次,和白人女权主义
本文以Ásmundur Sveinsson的雕像“美国第一位白人母亲”为切入点。参考这个作品,它后来的几个模型,以及最近流行历史写作的三个说明性例子,文章展示了雕像主题Guðríðr Þorbjarnardóttir的流行表现如何经常强化植根于种族排他性历史标准和土著抹除的传统。虽然Guðríðr的故事提供了一个有价值的对比,以男性主导,往往是极端暴力的“维京”历史形象,作家和其他流行的历史提供者描绘她的故事也冒着风险,同时强化定居者-殖民主义和白人至上主义的理想,而不管他们的个人动机如何。
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ˆDåajmijes vuekie: Paradigme esthétique sami The Fox as a Dying Hero: An Edition and Translation of the Late Medieval Icelandic Poem Skaufalabálkur “The First White Mother in America” Guðríðr Þorbjarnardóttir, Popular History, Firsting, and White Feminism
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