Artificial coloration of ancient agate beads: a mineralogical study

Abstract

Abstract The process of staining was frequently employed to enhance or alter the color of agate beads in ancient times. One of the key challenges in studying ancient beads is comprehending the intricate techniques employed to color agate stones. An understanding of the staining mechanism from a mineralogical standpoint offers insights into the level of technological advancement in different civilizations. In this study, the mineral structure of eight ancient agate beads from Xinjiang Uygur Autonomous Region, NW China, was analyzed using Micro X-ray fluorescence (µXRF), Raman spectroscopy, Scanning Electron Microscope (SEM), and Fourier Transform Infrared (FTIR) techniques. The color, transparency, mineral phase, and surface roughness of the beads were examined, revealing variations ranging from colorless to light violet to dark violet. Raman and FTIR spectroscopy were employed to determine the SiO 2 phase and the changes in optical characteristics of agate beads after artificial staining. The black color of the beads was formed by carbon penetration, while the red color was produced by heating. The coexistence of α-quartz and moganite phases in the red, the dark red, the black, the idiochromatic white and the part translucent zones of the ancient beads was confirmed by the 464 cm −1 peak of α-quartz and the 502 cm −1 peak of moganite phase. The analyzed red, the dark red, the black, the idiochromatic white and the part translucent zones exhibited remarkably similar FTIR spectral features, with two prominent bands at ~ 1097 and ~ 1187 cm −1 , as well as two weak bands at 798 and 778 cm −1 , indicating the presence of moganite and α-quartz in the unetched ancient beads. In contrast to the idiochromatic white appearance of natural agate, the scattered white coloration in etched beads was generated by an etching reaction. Both Raman and FTIR spectroscopy indicated the absence of moganite in etched beads, indicating that the scattered white color was produced by the loss of moganite and a portion of α-quartz, resulting in a rough surface.