De los dioses de Homero al "evemerismo" cinematográfico

Enrique Ramírez Guedes
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Abstract

"In this paper we address the relationship between the treatment of the gods in the Homeric epic, specifically in the Iliad, and the treatment given to them by the cinema in films based on this poem, demonstrating that the cinema mostly tries, despite the weight that the gods have in the Trojan War, to eliminate any supernatural aspect of their films, and relegating the Homeric gods, physically present in one way or another in the epic, to the dialogues, sacrifices, omens, dreams, etc., in order to adapt their results to the prevailing rationalist vision of our time.."
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从荷马的众神到电影中的“evemerism”
”在本文中,我们解决之间的关系处理神的荷马史诗,特别是在《伊利亚特》,和治疗给他们的电影在电影这首诗的基础上,证明了电影院主要是尝试,尽管体重诸神在特洛伊战争,消除任何超自然方面的电影,并把荷马的神,身体出现这样或那样的史诗,对话,牺牲,预兆,梦想,等。为了使他们的研究结果适应我们这个时代盛行的理性主义观点……”
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El cine que nos lleva. Entrevista con José Luis Sampedro Gonzalo M. Pavés (2021). Bigas Luna. El gran fabulador. Sueños, obsesiones y algunas otras ibéricas perversiones. Laertes. De los dioses de Homero al "evemerismo" cinematográfico El acento canario en el cine y el teatro españoles: un primer acercamiento Código Lyoko, la referencia de la animación paralela
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